Tag Archives: depression

Careering

Sunday

The terrace was the reason they’d taken the house originally. It had been further from the tube than they’d wanted and the only pub in spitting distance was the Three Feathers, stubbornly untouched by the estate agent’s claims for gentrification, but the little roof space had woven a spell on all of them. It was just a flat space, maybe four feet square fringed with a low wall and adorned with a battered old deck chair, a couple of stools and a plant pot, now sans plant. The house had taken a direct hit in the Blitz and when the money for renovations had run dry a flat roof had proven a cheap short cut to making it habitable again. They were unaware of this happy accident arising from the house’s unhappy past and had simply fallen in love with the views it afforded down and across Islington and, more importantly, up and out, over the the London skies.

There was usually an hour in the evening when the light was still good enough for Sarah to paint but the first hint of the muted constellations above began to glow, tempting Alex out to join her on the roof. He would name the stars as they appeared while Sarah and Rob, if he was back from work, would gently tease him by picking out planes in the stack over Heathrow and asking whether they were comets or UFOs. Or they’d pretend to forget that he’d told them that the brightest point they could see, one of the few celestial bodies that did cut through the London light pollution, was Venus and not a star at all. Alex would patiently explain it to them again.

Sarah was cleaning her brushes, watching paint leech from the tips into the water in her jam jar, a blue, swirling blur. It reminded her of a Japanese print she’d had in her room as a student, back when all futures seemed possible. She glanced over at Alex. He was slouched back in the deck chair, a pair of binoculars resting on his stomach.

“You know what happened last time you looked through those…” said Sarah.

“They are strictly for star gazing,” replied Alex. “That incident with the couple on Woodfall Road was not entirely my fault.”

Rob’s head appeared in the hatch at the top of the steep stairs that served as the route up to the terrace.

“The One With The Naked Neighbours And The Surprising Things You Can Do With Fruit,” he announced. “Still can’t believe they called the police.”

“It wasn’t an episode of Friends, Rob.”

“No, it was funnier,” said Rob. “Although if it was I’d be Joey, right? The good looking one.”

“It’s not much of a choice. The funny one, the good looking one and the…the other one. What was the point of Ross anyway?” said Alex.

“He was the nice one, wasn’t he?” said Sarah, still idly stirring her brush in the jar, the water now a murky grey. “You’d be Ross, Alex.”

“Thanks a lot,” he replied. “So I’m the dull, wet guy who’s so lacking in character that he gets given a pet monkey just to make him more interesting.”

“Well I didn’t mean it quite like that,” smiled Sarah. “Anyway, you don’t need the monkey, you’ve got that whole neighbourhood peeping tom thing going on as a character quirk…”

“I was star gazing.”

The natural light was fading fast now, steadily replaced by the soft glow of the city. Sarah finished cleaning her brushes and sat down on one of the stools, accepting a quick swig of the beer that Rob had brought up with him and was offering round. He stood looking at the picture Sarah had left drying on her makeshift easel. It was an abstract series of blue and grey circles, bold and well defined in the centre and then progressively distorted and smudged towards the periphery of the page. He liked it although, if he was honest, he preferred her pencil drawings, preferred things rooted more directly in reality. Sarah caught him looking at the picture and raised a quizzical eyebrow. He smiled and nodded approvingly but knew better than to offer more; too many well intentioned observations about her painting had ended with the critiqued picture in pieces. He pulled up the other stool, took his beer back from Sarah and offered it to Alex who was now peering up towards the sky through his binoculars.

“What are you looking for up there?” asked Rob. “Trying to see our destinies?”

“God, no. Nothing like that. There’s no glimpse of the future up there, just lights from the past,” replied Alex.

“That’s deep.”

“It’s just physics.” Alex adjusted the focusing ring on the binoculars, tried to get a better view of the Moon. It was only a quarter full but still one of the few things bright enough to cut through the light sodden sky. It’s just physics. He remembered saying something similar three years ago as his justification for jacking in the PhD, walking away from all that conceptual stuff about gravity and relativity to take up a graduate place with Deloitte. Swapping Lorentz transformations for double entry bookkeeping. It paid better but it was a mental downshift and he still felt the nagging, gravitational pull of his old studies.

“I didn’t expect it to be like this,” interrupted Sarah suddenly.

“Like what?”

“This… This… I don’t know. This scratching out our days.” Sarah pushed her hand through her hair and frowned. “What happened to what we wanted to do?”

“You mean you didn’t want to design towers for video games?” It was Alex’s usual tease.

“Hey, those games need a lot of towers… and my correct title is Concept Artist as you well know.” Sarah straightened on her stool and extended her arm with a flourish. “Concept Artist responsible for initial design of player climbable structures. Should I continue to impress with my sketched portfolio of traversable in-game terrain then I have a very decent shot at being Lead Concept Artist in two to three years’ time”.

“It’s something to dream about.”

“Every day on the 153, believe me.”

“Maybe this is just a phase,” said Rob. He drained the last of his beer. “Maybe we need to go through this while we figure it out.”

“But we had it figured out,” protested Sarah. “When I met you… at that talk, what was it?”

“NGO roles in provision of public services,” said Rob.

“Sounds like quite the party,” said Alex from behind the binoculars. Sarah ignored him.

“Yeah, at that. When we met you knew exactly what you wanted to do. It was the thing that struck me about you. The passion. You were absolutely going to work in the public sector, or the third sector or whatever it’s called, and you were going to help people.”

“And hopefully I still will,” said Rob. “The social media thing’s just temporary, just to get some money behind me early on. It’s not forever.” They all fell silent, slightly awkward. Sarah tentatively touched at the paint to see if it was dry and rolled up her picture. Alex put down his binoculars and tried to lighten the mood.

“What were you doing at that talk anyway Sarah? Doesn’t strike me as your sort of thing.”

“What makes you think I’m not interested in social enterprise?”

“She was in the wrong room,” said Rob.

“You promised you wouldn’t tell anyone that,” smirked Sarah. All of them laughed and Alex wagged a finger in admonishment. “Alright, alright. It was at the Barbican and I’d gone to see a Murakami exhibition but I was running late, got a bit lost, and ended up in a room full of earnest liberals listening to someone talk about co-operatives and sustainable funding. They all seemed so nice that I thought it’d be impolite to just walk out.”

“Just imagine the vicious tutting you could have been subjected to…” said Alex.

“We could be quite scathing in our shows of mild disapproval,” agreed Rob. “Some poor guy turned up to another talk one time with a coffee from Starbucks, it was just after the whole tax avoidance thing, and I think we briefly created a vacuum in the auditorium as everyone took a simultaneous sharp intake of breath.”

“Well it wouldn’t have technically been a vacuum…” started Alex before being drowned out under a mock chorus of tuts from his flatmates.

The early evening dusk was giving itself up to the beginnings of night now and the last of the sun’s warmth that had baked itself into the terraces was fading. Sarah rubbed her bare arms with her hands before gathering up her painting equipment.

“I think I’m going to head in,” she said. “Early start tomorrow.”

The other two didn’t move. She knew they liked to sit out for longer, eke out the weekend and delay the onset of Monday morning. Alex would usually be last to come back downstairs, pulling the hatch behind him. Sometimes he’d sit and try to wait until all of the lights across the surrounding streets winked out, hoping that the progressive darkening of the neighbourhood would allow more illumination from above. Once there’d been a power cut and he’d been able to just pick out Mars, seemingly tucked away behind Venus, just a trick of their relative positions and rotational orbits. The others teased him about how scientific, how clinical, he was about it all but he saw the beauty in it too. When he told Rob he wasn’t looking for destiny up there it was true but he was perhaps looking for something. Perspective? He wasn’t sure anymore.

“Good night,” said Rob. “Don’t forget our guest arrives tomorrow.”

“Guest?” said Sarah pausing at the head of the stairs.

“God, Sarah, do you read anything the landlord sends us? We talked about this last week. He’s offered up the spare room on Air BnB. We’re splitting the money, remember? He’ll take half and then take the other half off the rent. Said we can stop it anytime we want if it doesn’t work out.”

“Vaguely,” said Sarah. “Might be nice to have someone else around anyway. And I could definitely use the cash.”

“Tell me about it,” said Rob.

 

Monday

It was already dark by the time Alex returned from work. He walked down Shakespeare Street underneath the orange-white glow of its streetlights, his shadow lengthening as he got further away from each one, and then shortening as he approached the next. He paused at the mid point between two of them and briefly tried to remember the maths. Why would his shadow grow? He figured it was just triangles. He used to know this stuff. As he continued down the street the light closest to his destination, number 42, faded and winked out. That’ll save the Council about 27p tonight then. He’d just finished a project reviewing potential infrastructure savings for all the London Boroughs; something the Mayor’s office had commissioned. That was the stuff he knew now. Next door’s cat, tabby with white feet, watched him from the wall outside the house, both of them now in darkness.

“Alright Schrodinger? Still alive then. Bet you’ve had a better day than me,” he said to the cat, cracking his usual physicist’s joke. The cat began to lick its paw. “I guess you’ll only answer to Socks, eh?”. Socks remained silent and Alex, shaking his head at himself, let himself into the house.

He could hear voices from up on the terrace as he stepped into the hallway, almost tripping over a large, flower patterned carpetbag that had been left behind the door next to a propped up umbrella. Rob and Sarah and a woman’s voice he didn’t recognise. They seemed to be laughing a lot. Their guest. Air BnB. A bag and brolly he didn’t recognise. Slowly he put the pieces together and somewhat reluctantly headed up to join them.

“…so then Rob moved in a few months after we’d met at some event.” Sarah was just finishing the story about how they’d ended up in the house as Alex emerged on to the roof. She was sat forwards in the deck chair talking to a small, immaculately dressed lady. Late 60s? Alex was terrible at gauging ages. The first time he’d met Sarah he’d guessed she was 35, largely on the basis that she had been wearing a cardigan and had just told him that she was a big fan of Countdown. She’d been 25 at the time. Their guest had short, grey hair, pushed back on one side with an ornate mother of pearl hair clip, a bright white flower design above her left ear. She was looking at Sarah intently and smiling. She sat straight, upright and there was something immediately confident and calm about her. Sarah described it later as like that moment when a passer by intervenes at an accident you’ve witnessed and announces ‘don’t worry, I’m a doctor’.

“Hey, Alex, you’re back,” said Sarah jumping up from her chair. “You must meet Maria.”

“Hello part timers,” replied Alex before more formally turning towards their guest and extending his hand. “Hi, Maria, lovely to meet you. I’m Alex.”

She stood and took his hand, her grip firmer than he’d expected. They held eye contact for a few seconds before she closed her other hand on top of their handshake and squeezed, smiling. “It’s lovely to meet you too Alex.” She spoke softly and slowly, drawing out her vowels.

“Was your journey okay? Did you have far to come?” he asked, now curious about her accent.

“I’m over from Kansas. It’s been a fun trip so far.”

“We’ve done the Wizard of Oz joke,” interrupted Rob before Alex could reply.

“All you London folk do sound a little like munchkins to me though,” said Maria, eyes twinkling. She sat back down smoothing her skirt on her lap before folding her hands together. She was precise and graceful in her movements. “I was saying to Rob and Sarah how much I adore your roof terrace. It’s the reason I booked the room.”

“It’s the reason we took the house,” said Alex. “It’s just a shame we get more light from the streets than we do from the sky. You must have more luck at home?”

“Oh sure. Out in the countryside it’s glorious. And if you ever get a chance to get over to Bryce Canyon then it feels like the stars are laid out across the sky like diamonds that you could just pluck down and claim as your own.” She briefly paused and looked down at a ring on her left hand, turned it on her finger, rubbing its single stone. “But it’s good to see a different view of it all once in a while.”

“Maybe we should swap,” laughed Alex. “I don’t seem to be able to make out what I want to see up there.” He gestured up and out at the night sky.

“When things get dark you’ll see what you need to see,” she replied.

The four of them contemplated the London sky for a few minutes, lost in their own thoughts. Sarah broke the silence, insisting that they were being terrible hosts and rushing downstairs to fetch glasses and a bottle of wine. Maria sat and had a drink with them for half an hour or so before declaring that jet lag had defeated her and that she ought to retire to be fresh for her planned tour of London’s galleries in the morning. She asked Sarah if she’d like to accompany her. Alex filled in the blanks and realised they must have been talking about her painting before he’d arrived home. Impulsively Sarah agreed, shushing her house mates’ queries about work. Looking quietly pleased Maria left them and went downstairs to her room.

“How are you going to get out of work?” asked Rob after Maria had gone.

“I’ll chuck a sickie or something,” said Sarah. “It’ll be okay. Besides there’s a game in the production schedule for next year set in London so it’ll double as research if I take my sketch book with me.”

“But we don’t know her?” said Alex.

“And yet we’re perfectly happy to have her stay in our house,” said Sarah. “That’s kind of how AirBnB works.”

“I think what Alex is saying is that it’s not AirBnBnTourGuide,” said Rob, trying and failing to enunciate each ‘n’ clearly.

“Don’t talk with your mouth full,” said Sarah. Rob faked a silent laugh, sarcastically, by way of reply. “It’ll be nice. She’s over here on her own, doesn’t know the city. Why not show her that Londoners don’t deserve their less than legendary reputation for hospitality? What do you think, Alex?”

“I guess it’ll be fine,” he said. “I don’t know. There’s something about her that I can’t really describe though. Like she’s got a…”

“An aura?” said Sarah. “Really? Coming from you, Alex?”

“Not an aura,” sighed Alex.

“A dark and mysterious past that haunts her?” said Rob, affecting a fake film voice over.

“Not that either. I don’t know. A presence. There’s something assured about her. She just seems utterly and completely herself if that makes sense. And, no, Sarah, I haven’t started believing in auras.”

“Sounds a bit like it to me,” teased Sarah. “I think I know what you mean. That’s why I’d like to spend the day with her.”

“I’m going to bed,” said Rob. “One thing’s for sure, none of us are in Kansas anymore. He theatrically clicked his heels together, muttered ‘there’s no place like home’ and left Alex and Sarah sat out on the terrace looking up at the night. Out of habit Alex looked for Polaris but there was too much light. It seemed rare that he could find it these days.

 

Tuesday

The late morning sun was struggling to break the clouds over Trafalgar Square as Sarah and Maria emerged from the National Gallery. Making their way down the steps they linked arms, like old school friends, and Sarah felt her companion lean into her slightly as she took the stairs. It was almost imperceptible but there was just a sense that Maria wanted, or needed, some support. Well she’s not a young woman. Probably mid 60s ? Sarah hoped Alex hadn’t made any observations about their guest’s age at breakfast. He was hopeless at things like that. Could tell you how old Saturn’s moons were but ask him to judge something, someone, staring him in the face and he’d be off by eons. She patted Maria’s arm and suggested that they stop for a bit, told her that she really needed to make some sketches of the square.

They perched on the bottom step in silence for a few minutes as Sarah swiftly penciled the grey, granite lines of Nelson’s Column into her notebook. Feeling vaguely guilty at her absence from work she started to embellish the drawing a little, adding details that might be useful as hand holds or points that someone could hook a rope around. She started to pencil in Nelson’s details but couldn’t get the angles of his bicorn right and so gave him a makeshift fez instead. Nelson continued to stare stoically in the opposite direction, seemingly untroubled by her alterations. Maria had spent the minutes gazing at the square, watching fellow tourists idle past, but now she looked over at Sarah’s sketch, curious.

“That’s great but what are those extra bits sticking out ? And what’s with the hat ?”

Sarah flipped her notebook closed. “I thought he might fancy a change. The extra bits are for work. When they take my drawings and use them in the games they often need to change them so they’ll work for the player.” She sensed Maria wasn’t entirely following. “So in this game there’ll probably be lots of things to do in London, lots of things they want the player to explore and find. I was just making the column easier to climb up. They always like things you can climb.”

“Why’d they make them like that?”

“Oh I don’t know. It gives the player something to do. They call it goal oriented game design or something. Lots of little, achievable tasks. Apparently you get a hit of… what’s that brain chemical that makes you happy?”

“Dopamine?” suggested Maria.

“Yeah, you get a hit of dopamine every time you complete one of these little tasks and that keeps you playing.”

“Sounds like life, wouldn’t you say?” said Maria looking at Sarah intently. Sarah hadn’t really noticed how green her eyes were before; she had a slight cloudy patch in her left pupil, a smattering of blurred white dots. It reminded her a little of the view from their terrace at night. Like stars fighting to break through the haze.

“Well it depends on the tasks,” answered Sarah finally. “Put it this way, I’m not sure how much dopamine I’ve been getting lately.”

“Perhaps you need to go and climb up that,” said Maria pointing up at Nelson’s Column, laughing.

“Well, assuming I didn’t break my neck, then it would certainly give me a hit of something.”

“And a great view.”

“And a great view,” agreed Sarah. “That’s the other reason they make them like that – the games I mean, why I spend my life drawing towers. In the game, whenever you get to the top of something tall it opens up the world to you. Shows you new things to do and places to go.”

“So your art shows people where they are and where they might go ?”

Sarah shook her head. “I hadn’t thought of it like that but… at a stretch, maybe. I used to think that my painting outside of work was trying to do that. Or at least that it was trying to show where I was and where I might go and that that would resonate with some people.”

“You shouldn’t distinguish between the two,” said Maria. “What you call your work and what you call your painting outside of work. It all comes from you. It’s all how you spend your days.” She patted Sarah’s arm and smiled. “Anyway, would you listen to me, doling out advice to talented young artists. I have to say that, personally, I liked the flowers. Back in the gallery. The Monet and the Van Gogh.” She sounded out the Gogh to rhyme with dough, extending the ‘o’ sound, and caught Sarah frowning at her. “What’d I say ? Van Gogh ? How’d you say it ? Goff ?”. They both laughed. “You prefer the abstract work, don’t you ?”

“I do,” said Sarah. “And thank you for the advice. It’s nice to hear.” She wrinkled her brow, her nose crinkling in concentration, lost momentarily in thought. “I like the flowers too but there’s always something slightly sad about them to me. Something so beautiful, yet so fragile. Those paintings are just a snapshot of something fleeting, something that’s going to disappear.”

“Oh my dear. That’s not sad. That’s the very definition of joy. Come on, I sense you need something more modern. Take me to the Tate and I’ll buy you lunch on the South Bank.”

Inside the Tate Sarah felt a deep feeling of calm; the peace and vastness of the canopy above seemed to absorb her anxieties. Gave them room to lift and dissolve. They walked in with nothing but the echo of their footsteps for company. Outside the South Bank bustled, in here it was still. For a long time they just walked the floor, absorbed in the space, watching dust motes dance in the slats of light falling across the concrete from the high, vertical windows above. Eventually Maria pointed out that there was an exhibition running. Yayoi Kusama. They bought tickets and ventured into a world of coloured dots and circles and impressionistic shapes, endless patterns repeating, forms stretched and mutating. Another room filled with nothing but giant, monochrome canvasses on each wall, monolithic blank tranquility. And then, at the end, a darkened room with mirrored floors, walls and ceiling. They cautiously ventured in, eyes adjusting, and a myriad of LED lights overhead began to blink on and off. Pulses of colour that reflected back from the surfaces and into infinity; there, everywhere, and then they were gone. Sarah felt like she was standing in the centre of the universe watching its evolution on fast forward. The flash of the Big Bang, stars exploding into life, collapsing in on themselves, and then darkness. Or like she was a single neuron firing inside her own mind, watching the millions of other chemical reactions trigger and blaze in her cerebral cortex. It was dizzying and euphoric. They both sat down and lost themselves in the ineffable dazzle of lights.

Later they ate lunch on the roof garden of the Queen Elizabeth Hall. A green oasis atop a brutal concrete slab of a building. The sun had won its struggle with the clouds and they sat watching a faint shimmer of heat haze dance across the Thames.

 

Wednesday

It was still dark as Rob and Maria left the house. The early start had been her idea; jet lag had her on American time and so she said she’d sooner go out first thing rather than in the evening. Rob thought she must have been up for a full hour or so before they left because she was as perfectly elegant as she’d been the day before: there was a precision and neatness about her that he thought must require serious time. He looked like he’d rolled straight out of bed, planted his feet in his trainers, and pulled on whichever coat he’d passed en route to the front door. From under the duvet to the porch in thirty seconds flat. It was cold. The heat from yesterday’s late Autumn sun had faded fast, up and out as evening cooled to night with no cloud cover to cap its escape. They’d all sat on the terrace and watched it sink over towards Highgate. They were up too early to see it reappear.

“This better be good,” said Rob.

“Well, good morning to you too,” replied Maria brightly. “It’s nice to see you made an effort for me.”

“Believe me. Being up at this time is an effort.”

“I can’t believe you’ve never seen the dawn before, Rob?” smiled Maria. “Open your eyes, it’s beautiful.”

Rob glanced up and mentally conceded that there was something magical about the half light and quiet of this hour. He had seen it many times. It’s just that he usually saw it woozily soft filtered through the alcohol of the previous night before he found his way to bed. The idea for this morning’s early start had germinated the previous evening. They’d been on the roof listening to Sarah rave about the Kusama installation at the Tate, none of them wanting to point out the smudge of paint on her cheek that lifted and fell each time she smiled. She’d spent the late afternoon absorbed in a fresh canvas. Rob couldn’t remember seeing her so passionate since the day they’d met, back when she insisted on dragging him round the Murakami exhibition that she’d missed after he insisted that she stay and listen to the talk from Vision Housing and the various other social enterprises speaking that evening. They’d both been so certain then. Both fit to burst with ideas and energy. For a while he’d mistaken their mutual passion as a spark between them, a shared attraction, but as they spent longer together they settled into an easy friendship. There was a drunken kiss one night shortly after they’d moved in to the house but it had marked the end of any romance rather than the beginning. They’d both laughed it off: you can’t fake chemistry. Alex had told them that the mutual attraction of objects into each other’s orbit was actually more of a physics thing. This story had come up during the evening, Maria was curious as to how they all wound up together in the house. In turn that had led to a conversation about how Rob had fallen into his current job rather than pursuing the idiosyncrasies of London’s housing policies. He’d told her how those things had happened but he hadn’t really told her why. He wasn’t sure if he knew why. He knew the lines he said out loud when people asked him – it’s just a stop gap, I’m just getting some money behind me, it’s just a temporary thing – but he couldn’t remember now whether they were true.

Maria had insisted that she wanted to see London’s homeless crisis (Rob’s words) for herself. The others, surprised, had listed a host of alternative ways to spend a morning in the city but she wouldn’t budge. She said wanted to experience the place as it was, not as its people presented it for visitors. After he’d first moved into the house Rob had done some volunteering at the various homeless shelters round Islington and so he’d offered to take her down to one of them; he hadn’t been for about a year but if the circuit hadn’t changed then breakfast would need serving at Union Chapel. They took the tube down from Finsbury Park to Highbury and Islington, sitting quietly in half empty carriages with early rising, suited commuters and late returning nightshift workers, stifled yawns marking the beginnings and endings of days.

There were soft slashes of pink in the dawn sky, sunrise’s forward scouts, as they approached the church. The Union Chapel spire was bathed in the early morning glow, red brick framing high vaulted windows and gothic revival detail. A pair of magpies took flight from a perch near the top of the tower squabbling in their rattling, staccato voices. Rob was halfway up Compton Terrace, almost at the church, before he realised that Maria wasn’t with him. Turning back he saw her standing beneath the overhang of a spreading Oak, leaning on an iron railing, just gazing at the building. He was about to urge her to hurry up but something in her reaction gave him pause. He walked back to her and together they stood for a few minutes and watched as the rising sun slowly warmed the russet tones of the old spire. Watched it come to life in the light.

“Do you believe in God?” asked Maria, relinquishing her hand on the railing and taking Rob’s arm instead.

“No, I don’t I’m afraid Maria,” he answered. “But it’s kind of magical this time of the day though, I’ll give you that. I can see why people see something bigger.”

“Oh no, don’t misunderstand,” said Maria. “I don’t believe either. Not anymore at least. Not since my late husband passed away. There’s nobody and nothing controlling our futures. There’s just here and now. Come on, you promised you’d show me the shelter.”

They ended up working the morning shift, changing bedding, washing up, serving London’s lost bacon and eggs and endless cups of tea. The centre manager, Jenny, had remembered Rob and had set them straight to helping out. Maria was a novelty for the patrons of the shelter and she spent most of her time sat quietly talking with each of them individually, laughter following her around the room. She was deep in conversation with an older man when their shift finished. He had a grey flecked beard and a nasty scar running between his right ear and the corner of his eye that gave him an intimidating look. The smell of stale alcohol and tobacco clung to him. Maria was sitting opposite him, holding his upturned hands in her own, gently massaging his fingers with her thumbs. Rob stood, arms folded, and watched them from across the room.

“He’s in a bad way.” Jenny had noticed Rob watching the odd couple. “He shouldn’t be here to be honest. He’s got stomach cancer. Late stages. They’ve told him its incurable and so every time he gets checked in to a hospital he just checks himself out again. Says he’d rather live out his last days on the street than lie down in a ward.”

“Hasn’t he got anybody?” asked Rob. He knew what the answer would be, he’d had this conversation so many times before in the early days of his volunteering. Surely everyone has someone. The truth was that everyone didn’t have someone. This was a community to pick up the pieces for people without a community.

“He had a wife. From what he’s told me after she died he lost his way, took to drinking too much, lost his job. You know the story. You’re only ever…”

“You’re only ever six bad months away from the street,” interrupted Rob. “I remember.”

They went over to join them. Maria was whispering something to him and, in response, the man had reached up to touch her hair clip. He had started to cry. As his fingers found the carved flower in her hair Maria quickly reached for his hand, moved it, and pressed it to her cheek instead. Eventually she released his hand and said her goodbyes.

“Come on,” said Rob. “Let me show you inside the church. It’s quite something.”

Maria shook her head. “I’ve seen the church,” she replied. “I’ve seen your church. It’s all here, in this room, in the bedrooms we cleaned and the pots we washed up. Sarah showed me the Tate, I don’t need to see another grand and imposing space.”

Rob smiled at her. “Let me buy you a coffee then. There’s a kiosk in the foyer that does a great cappuccino and all the money comes back into the shelter. You don’t have to look at the stained glass window or the chandeliers or the balustrades. Just have a drink with me. You’ve reminded me of something today and I wanted to say thank you.”

“Alright, it’s a deal,” said Maria. “And just what have I reminded you of today young man?”

“You’ve reminded me of who I used to be,” said Rob.

“No, no, no,” replied Maria gently. “Not who you used to be. Who you are.” 

 

Thursday

“Explain it to me again,” insisted Maria. Alex leaned forwards in his seat, elbows on knees, to narrow the gap between them across the tube carriage. He didn’t want to raise his voice. Around them people examined their phones.

“Are you just humouring me now?” he asked. “I’m sure there’ll be things that explain it all when we get there.”

“No, I really want to try to understand it,” she replied. “And I like hearing you talk about it. I want you to humour me, not the other way round.”

The train slowed into its next station. Alex watched the blur through the window resolve itself into a platform, waiting people, a name. Camden Town. He always thought it was like watching a film slowing down into a series of still photographs and, finally, a single, framed shot. There was a moment, even if it was just a fraction of a second, a heartbeat, when everything stopped before the train doors slid open and exhaled its passengers onto the platform. Mind the gap.

“Okay. Imagine the world and imagine a big line drawn all the way around the equator,” started Alex.

“I think I have this part,” said Maria. “I’m imagining parallel lines horizontally stacked on top of each other…”

“And underneath each other…”

“And underneath other other,” she continued. “Reaching to the North and South Poles. If you take the equator as your start point, then you can measure how far north or south you are. Degrees of latitude. Seems straightforward enough.”

“Well, allowing for a certain degree of latitude in your explanation, you’re right,” acknowledged Alex with a smile. “But latitude was always the easy part because it works from a fixed physical point – the lines you draw north and south around the earth don’t move relative to the equator. And if you know your stars and a bit of maths then you can work it out by looking at the sky. Longitude was where it got messy because all those imaginary lines are now running vertically and without a natural reference point.”

“This is where I lost you last time,” said Maria. “What do you mean there’s no natural reference point?”

“Because the Earth is spinning. Longitude is a distance in the planet’s daily rotation. Unless you agree an arbitrary fixed point to measure against then no one will ever agree on where they are. The Earth is always moving. One degree every four minutes.”

“Well I never did like to sit still anyway,” laughed Maria. “So the good folks at Greenwich offered to be the fixed point of reference for measuring how far east or west you were?”

“We’ve missed out a bunch of stuff about how they standardised solar time for everyone first so that you could always know what time it was wherever you were but, yes, I guess you have it about right.”

“Not bad for an amateur,” smiled Maria with a satisfied nod of her head. “We can’t all be… what was it again?”

“A physicist. Technically an astrophysicist I guess although I never finished my thesis.”

“Well, I don’t know about physics but I do know that you’ll never find your way to where you want to go unless you know where you are now.”

The tannoy on the train interrupted them, announcing that there were suspensions on the Northern Line from the next stop in a tone that Alex recognised as more apologetic than Maria did. They changed at King’s Cross with a plan to follow part of the circumference of the Circle Line and then take a boat up the Thames. It would take longer but Alex figured that some time on the river would allow Maria to see some of the sites and might give him a better chance to explain the intricacies of a system of navigation that had, after all, arisen to guide people lost on the waves. He wasn’t altogether sure why he’d agreed to the trip but Maria had suggested it and had been roundly supported by Sarah and Rob, the three of them nagging him through yesterday evening until he’d agreed to show her the Observatory at Greenwich. Despite himself the idea of it had got under his skin, sparked something of the curiousity he’d often felt in his post grad days. He wasn’t booked out to a specific client this week so he’d taken a couple of days leave. He was long overdue holiday anyway. It was a standing joke in the house that he had so many days in lieu stacked up that he could spend all of next year in Cornwall. It had taken Rob some time to explain this to Maria. Looe. It’s a place in Cornwall. In lieu. Oh never mind.

The disruption that had forced the change of route seemed to be causing problems across the network. They made halting progress on the Circle Line before the train stopped at Liverpool Street. Alex felt his phone vibrate in his pocket as it picked up the station Wi-Fi and he reflexively pulled it out to check his messages. Maria watched his expression change as he stared at the screen, the frown, the slight slump in his shoulders. He looked up and took a deep breath. She saved them both the awkwardness.

“Do you need to be somewhere else?”

“I’m sorry. Really sorry. It’s a work thing. There’s a client audit that’s over running. They need an extra pair of hands to get it over the line by this evening. I don’t want to leave you in the lurch but…”

“Don’t worry about me,” said Maria. “I will find Greenwich just fine. 51 degrees north and zero degrees west, right?”

You were just humouring me,” said Alex. “How did you know that ?”

“I like to know where I am and where I’m going. Now, go on, go do whatever it is that your job needs you to do. I’m a grown woman. Go count things. Just promise you’ll let me tell you all about it tonight.”

“Okay, that sounds good. Just stay on this train to Tower Hill and then you should be able to pick up the boat service.”

Alex left the train, left Maria, just as the doors slid shut again. He turned to wave and she lifted her arm in response, a brief flash of white as her watch caught the glare of an overhead light. Somewhere in the back of his mind he remembered Prof Miller testily explaining relativity to them again, three of them sitting in his dusty study in Oxford, listening to the rain outside. He remembered listening for patterns and order in the rhythmic fall of water on pavement. Remembered debating the apparent randomness of rain with colleagues who went on to help discover gravitational waves. Discovered the universe’s pulse. Remembered letting his mind roam, untethered, to fathom the smallest particles and the largest spaces and the longest times. He knew, dimly, that he and Maria would observe that light on the train differently. Her from inside the carriage. Him watching her move with the train from the platform. They would see the light relative to their perspectives. The train cleared the platform and, buffeted by the sudden back draught, Alex turned and headed for work.

Maria closed her eyes. The contrast was a little too bright when the carriage was plunged into the darkness of the tunnel. She felt the familiar, nagging tingle in her hands and rubbed them together until it faded.

 

Friday

Maria had blacked out somewhere between Mars and Jupiter.  She’d woken up in the University Hospital Lewisham. They told her that she’d passed out in the planetarium at the Royal Observatory but in the darkness of the auditorium nobody had realised until the audience was returned from its tour of the solar system and the lights came back on. She remembered seeing the sun. Distended solar flares erupting across its writhing, fiery surface. It looked, to her, like an angry, malignant tumour seen in detail through a microscope. She remembered the perspective pulling away from the sun and the sensation of spinning, facing out towards the neighbourhood of planets. Accelerating past Mercury and Venus and Earth. Fragments of the commentary stuck in her memory. Not the scientific facts but the more human attributions. Mercury, named for the messenger of the gods. Blake writing in tribute to Venus. Speak silence with thy glimmering eyes, And wash the dusk with silver. She remembered Mars. Another angry, red circle. Remembered it growing on the screen above her until it filled her vision, seeming to throb and pulse, bringer of war, until she slipped from consciousness.

She was sitting up in bed when they arrived.

“God, we were so worried,” said Sarah. “When you didn’t come back, we just didn’t know what to think.”

“Are you okay?” asked Rob. “They won’t tell us anything because we’re not family or something. We tried to tell them that you’re our guest and that you don’t know anyone here but they said they can’t disclose information.”

Alex was silent. He hovered at the end of the bed, head down, shifting his weight between his feet.

“What happened?” said Sarah.

Maria closed her eyes. The telling was the thing she had found hardest in the last few months. The shock that she had felt in being told was something she felt again each time she passed on the news. She resented it. Resented seeing herself reduced to the victim of something random, an object of sympathy, in the eyes of those with whom she shared the shock. There were many things she had chosen to be in life and she wanted to be remembered for them. Not for this. Not this arbitrary act of war that her own body had declared on itself.

As she opened her eyes she pulled the delicately carved hair clip from its position above her left ear and laid it on the sheet in front of her. Tipping her head forwards she lifted her hair deftly from her scalp and placed it next to the clip, dark grey strands spread across the crisp whiteness of the bed. The exposed skin was smooth and pale save for a blotchy, swollen lump, crimson stained behind her right ear, the size of a dollar coin. It used to be the size of a dime. Look after the dimes and the dollars will look after themselves. That’s what Mom always used to say. She looked up at the three of them. Sarah had covered her mouth with her hand, eyes pricking with tears. Rob was shaking his head. Alex had pulled his arms across his chest, colour drained from his face. And then Sarah’s arms were round her and they were both crying.

In the aftermath, with the three of them perched on the edge of her bed, Sarah closest, Alex furthest away, she told them all of it. She told them that she had been diagnosed nine months ago, had been told the chemo wasn’t working three months ago, and that she’d taken the decision to abandon the treatment and live what time she had left. Maybe six months. They didn’t really know. It had brought a certain clarity to her thinking. Not peace exactly, she felt restless for life rather than reconciled to death. She told them that she’d lost her husband ten years ago. That they’d never had children – she paused as she recounted this, an unspoken regret – and she’d found herself alone. Initially, she admitted, she’d felt lost and had only really made sense of her new circumstances when she’d moved away from Wichita and deeper into the country where, eventually, she’d found a new sense of perspective under the broad and sweeping Midwestern skies. Found enrichment in the amplified solitude of a small town rather than the isolation she’d felt in a bustling, busy city.

They listened in silence, letting her talk. Sarah held her hand. Rob poured a glass of water. Alex grew increasingly agitated, rising from the bed and pacing the floor. When she seemed to have finished speaking he started to rock backwards and forwards on his heels. He spoke quietly and urgently.

“It’s unforgivable. I’m sorry. To leave you like that.” Words tumbled from him in a torrent, addressed as much to himself as to Maria. How could I have done that? Someone should have been with you. I should have been with. I was with you. And then I left. For an overdue audit. Left to count things when you were counting on me. I’m sorry. I’m sorry. I’m sorry. He was shaking his head, fists clenching and unclenching until Rob put his hand on his shoulder.

“Hey, hey Alex. It’s alright. This wasn’t your fault. You didn’t know. None of us knew.”

“Rob’s right,” said Maria softly. “Don’t blame yourself for this. I chose to take the trip and I don’t regret it. Whilst I still have choices I’m damned if I’m not going to use them. Please, please don’t blame yourself.”

“But I should have been there,” said Alex.

Maria stared at him until he met her gaze. He noticed the cataract in her eye, the smudged white dots, stars through an unfocussed telescope.

“Not for me,” she said. “You shouldn’t have been there for me. I made my choice and don’t need looking after Alex. You need to make your choices. Trust me. Make them before they get made for you.”

 

Saturday

It was late by the time Rob and Sarah arrived back at the house with Maria. She’d stayed at the hospital for twenty-four hours, reluctantly agreeing that she might need the rest but impatient to be away from the array of medical equipment and drugs and professionals that could do nothing for her. She’d joked with the nurses that she was like a diabetic with a sweet tooth in a candy store. You got nothing I can have but boy do I want it all. Sarah had insisted on organising a taxi, worried about the hustle and bustle of the tube on Saturday evening. Maria had agreed on condition that she paid, they use a black cab, and that they make the driver cross the Thames via Tower Bridge. She told Sarah that it’d be another landmark she could sketch for her game, another little source of dopamine for people playing, another marker to help them navigate. Sarah thought there was more of the tourist in Maria than she cared to admit and that she probably just wanted to see the strange castle on the river.

They crossed the Thames as the sun was going down, the towers on the bridge short and squat against the skyline in comparison to the jagged thrust of the Shard which dominated the view to the west. London was a city of silhouettes in the dusk, the fading light leaving just familiar shapes, the impression of places. Rob pointed out the sights as they appeared, sometimes just a momentary glimpse between office blocks and flats, and then a broader sweep of buildings as they crossed the bridge. A jumble of shapes and styles from the past and from the future. St Paul’s. The Gherkin. The Tower of London. City Hall. Traffic was unusually light and they didn’t get stuck as they crossed. Rob had hoped that perhaps they would so Maria would have more time to admire the view but she had to absorb it in less than a minute before they plunged into Whitechapel and everything closed in around them again.

When they stopped outside their house it was dark. The streetlight hadn’t been fixed and all of the lights inside were off. Rob let them in and called for Alex. There was no reply but it was then that they heard the shouts from outside.

……

Alex hadn’t gone back to the hospital. The others knew he blamed himself for what had happened but didn’t realise how hard it had hit him. He’d said he wanted a bit of time on his own and they’d respected that. In the time they’d lived together it was something they’d become used to. Rob teased him for being grumpy and they knew he’d never really settled into corporate life but neither of them thought there was more to it than that. If he was honest with himself he knew that the way he felt had a name. Depression. He should have been more clinical about it, more scientific, but he found it hard to apply his usual, objective mode of thinking to his own internal emotional landscape. He knew it had been getting worse and he could trace some of it to the small sets of decisions that had taken him further and further from the things that he’d thought of as making up who he was. He remembered the genuine disappointment that Prof Miller had expressed when he’d told him that he was giving it up. He hadn’t been angry and he’d even understood it – noone’s getting rich mapping the universe – but there was almost a resignation to it. A sense that another bright talent was about to be eclipsed by the need to make the rent. There had been occasional rational moments when he realised that he could just jack it all in, walk away from the office and start again. Lately those moments had come less often. The sane and reasonable voice in his head drowned out by a chorus of anxiety and regret and sadness.

Seeing Maria in the hospital had shattered what was left of his fragile inner peace. It wasn’t just the guilt, on some level he knew that it wasn’t his fault, but the stark confrontation with mortality that had shaken him. There seemed to him to be a pointlessness to it. He’d always valued order and structure, causality and consequences, and whilst he could understand the facts of her disease he couldn’t explain why it was happening anymore than he could explain his own illness.

He put on his suit, straightened his tie, and headed up to the terrace.

……

Up on the roof Alex had his back to them. There was a small wall that ran round the sides of the terrace at knee height, there as a gentle reminder if someone got too close to the edge. You could perch on it and dangle your legs over the side of the house if you didn’t mind the guttering. None of them had ever thought of it as particularly dangerous. Early on the landlord had offered to put up a taller set of railings but they thought it would obstruct the view and had told him not to bother. Alex was standing on the wall, seemingly oblivious to the shouts from people in the flats in the adjacent street telling him to get down.

“What are you doing, Alex?” Rob spoke quietly, holding his arms out, palms down, trying to signal a sense of calm that he didn’t feel to Sarah and Maria.

“Alex, please,” said Sarah. “Just step down and let’s talk.”

Alex didn’t reply and didn’t move. It had been a cloudless day and the temperature was dropping now that the sun had gone, the air was still. Alex didn’t feel the cold through his suit. Pure wool. He vaguely remembered that fact had been important at work, they’d all been given pointers on personal presentation in the first year on the graduate scheme. A couple of the partners, knowing his background, had joked that he’d have to leave the cords and the elbow patches behind now that he was a professional. There’d been no malice in it. He hadn’t been offended. It wasn’t until later that he’d begun to reflect on his decision and wonder whether he’d got it badly wrong. It was Maria that broke the impasse.

“Where are you Alex?” He didn’t turn but this time he did reply.

“I don’t know. I honestly don’t know.”

“Latitude. Start with that. Tell me our latitude,” nudged Maria.

“I don’t know,” said Alex. “How would I know that?”

“We’re not so far from Greenwich. I bet it’s roughly 51 degrees north and a touch over zero degrees west. How would you know if I hadn’t told you? You taught me this Alex.”

“A fixed reference point. You need a fixed reference point and then you can work it out.”

Across Islington the lights went out. Later it was reported as a power cut, some problem with a sudden surge on the National Grid causing fail safes to kick in and the electricity to switch off. Around them the shining rectangular frames, the windows of the surrounding flats and houses, winked out. The streetlights snapped off. Shakespeare Street went dark. As their eyes adjusted to the absence of light Maria walked across the terrace, reached up, and took Alex’s hand.

“Tell me what you see,” she said.

“You can never see much here,” he replied. “Usually just Venus and some of the brighter stars. The moon obviously, when it’s out.”

Rob and Sarah cautiously crossed the terrace and stood on Alex’s other side from Maria. Sarah took his other hand.

“I saw Mars at the planetarium,” said Maria. “It’s the last thing I remember before I fainted. Where would it be if we could see it now?”

Alex described its position relative to Venus and slowly began to tell them what he could remember about the positions of the distant objects they could see and the ones that they couldn’t. He was a little rusty but none of them would have known if he got anything wrong. He showed them Orion’s Belt, the three stars in a line that they could usually see above them, bright enough even when London wasn’t dimmed, and then he noticed the slightly skewed rectangle of Ursa Major. It was just visible now that the glare from the ground had been subdued and, just a slight turn of the head on from that, if he followed an imagined line from its two pointer stars, then he could make out Polaris. The North Star. He described it to the others.

“So you know where you are now,” said Maria squeezing his hand.

“It’s a start,” said Alex. “I could work out the latitude but you know longitude is always trickier than that.”

“Because we’re always spinning, always moving,” said Maria.

“Yes. Yes, we are. I just wanted to make it stop.”

“You can’t make it stop Alex,” she answered. “Not like this. It’ll stop for you, sure, but everything else keeps on spinning. You’ve got your fixed point up there,” she gestured at the sky, “and maybe you just need to pick your own fixed point down here. Your own Greenwich.”

“I think I had it,” said Alex. “I think I used to have it. Maybe I just need to find my way back to it again.” He stepped down from the wall and quietly accepted Maria’s embrace. Rob and Sarah clutched at his back and the four of them stood on the roof holding him as he wept.

They stayed out on the terrace until the power came back on about an hour later. Sarah had made them all tea and they’d sat staring across the rooftops, hands wrapped round warm mugs, steam rising into the night air. When the lights returned the stars overhead faded but all of them swore they could still see the North Star, unwavering, the sky rotating around it.

 

Sunday (One Year Later)

They had promised Maria that they’d watch the sun rise over Bryce Canyon and remember her. She had died in the Spring, the emails and Skype calls that they’d all maintained after she returned home from London becoming steadily less frequent as her illness took hold. They’d all wanted to fly out but she had insisted that they shouldn’t.

I am well cared for, come and remember me when I’m gone, she’d told them. Come and pick me out a diamond from the sky. Don’t let Alex tell you that stars and diamonds aren’t the same things either. I’ve been reading a lot now I’m stuck in bed and all the carbon in our solar system might just be the scattered dust from a dying star. Some of it must be diamonds and some of it must be us. I kinda like the idea that I’m built from a supernova. Don’t spoil it for me.

Alex, back now at Oxford, had called in a favour from one of the professors in the Chemistry department and persuaded him to send Maria a letter, on very official looking University headed paper, confirming that essentially, yes, she was made from stardust.

They had travelled to Kansas for the funeral. Sarah flew in from Montreal, Rob and Alex from Heathrow. Sarah’s design work from her sketches around London had picked up positive critical notices when the game had shipped and she’d taken a larger role in the Canadian office. She’d held firm on a flexible arrangement that left her enough time to paint and she’d just exhibited for the first time in a small downtown gallery. The others teased her when they met up – lead concept artist, putting on shows at Station 16, get you – but she could see how pleased they were for her. Despite them all leaving the house they were closer now than when they’d lived together. Rob had stayed in London but had needed to move a bit further out, his new job at the housing association didn’t pay well but he knew why he was doing it. Alex was back in Oxford, picking up the thread of his unfinished thesis, looking again for order in the chaos.

The three of them sat in silence as the first light of dawn stole over the jagged formations of the canyon, orange rocks warming into life, shadows extending. The last of the visible stars overhead slowly faded from view but they knew they were still there. Sarah had brought a flask and shared out paper cups of hot coffee to ward off the last of the night’s chill. It was a long time before anyone spoke.

“Thirty-seven degrees north. One hundred and twelve degrees west,” said Alex.

“What’s that?” said Rob.

“It’s where we are, isn’t it?” asked Sarah. “Co-ordinates.” Alex nodded.

“You’ll never find where you want to go unless you know where you are now,” he said softly.

“You getting all deep on us again,” said Rob. “Who said that?”

“Someone who always knew where she was. Someone who’ll be missed.” He raised his coffee in salute and the others held their cups up in a quiet toast as the sun began its steady ascent marking the new day.

 

Stage fright

He stood with his arm on the mic stand, elbow jutting out, as if it might prop him up like a crutch. He clutched the microphone in his other hand, head bowed to meet it. Hunched and bunched. Words swam in his mind but not the ones he’d sat up, late nights and early mornings, scribbling, scrawling in endless notebooks. Rhymes taunted him. Hunched and bunched. Clutch and crutch. He couldn’t see them out there in the darkness but he could hear patience running thin, the scrape of chair legs, glasses on tables, voices that began in whispers growing in volume. He stood framed and still in the spotlight. Hiding in plain sight. Light and sight. Clutch and crutch. Hunched and bunched. Words and rhymes, just not the right ones.

Come on, man. Give up the stage, buddy, let someone else speak. We wanna hear some verse.

The restlessness in the room has a shape now, an edge. It’s been given voice and all he can hear is chatter and disappointment and a room full of wasted Friday nights. There’s a hand on his arm and the compere is leaning into his ear, urging him to speak or sit down. He’s seen this before and there’s a note of understanding but the grip on his arm is getting tighter and he can feel a distinct tug away from the microphone. Some people just can’t do it up here. It’s all in their head and all on the page but not here, not here where there’s nowhere to hide.

He closes his eyes. Whatever he wrote in all those dripping minutes and sweeping hours has gone. Now or never. He speaks.

 

Life writes faster than I can write:

 

If I really – really – committed and held myself to the words,

A thousand words, every day,

Two thousand, three thousand, four,

I’d be too slow and too far behind the curve, the swerve.

Even if I lost some of my reflexive reserve I just don’t have that kind of verve

And maybe I don’t have the nerve.

 

Maybe I’m not ready to bleed.

This ain’t no magic trick, there’s nothing up my sleeve,

No facade or screen or Wizard of Oz behind the scenes and

No filter between you and me: you ready to hear my dreams?

My screams?

My brain and guts and heart and all the viscera in between?

 

‘Cos you might have met me tonight, or any night, any day

And all that stuff we learn to protect ourselves with would have been in the way,

All those masks, those crutches that keep me from your clutches, that suit of armour I lug around,

Each step heavier than the last as it drags me down.

Hunched and bunched and scrunched and out to lunched.

Gut punched.

And all the stuff would have been in the way and would have done its job.

Its fobbing off job: it would have said I’m okay.

 

But I’m not okay.

Not tonight, or any night, any day.

I learned too much of that stuff to protect myself with and it gets in the way.

I got to learn to bleed.

I got to learn to write faster than life.

 

‘Cos lately life’s been writing faster than I can write and faster than I can stand to live.

 

Later, when they buy him a drink, they tell him there was applause. Later, when he puts that armour back on, it feels a little different. A little lighter.

Careering: Saturday

It was late by the time Rob and Sarah arrived back at the house with Maria. She’d stayed at the hospital for twenty four hours, reluctantly agreeing that she might need the rest but impatient to be away from the array of medical equipment and drugs and professionals that could do nothing for her. She’d joked with the nurses that she was like a diabetic with a sweet tooth in a candy store. You got nothing I can have but I want it all. Sarah had insisted on organising a taxi, worried about the hustle and bustle of the tube on Saturday evening. Maria had agreed on condition that  she paid, they use a black cab, and that they make the driver cross the Thames via Tower Bridge. She told Sarah that it’d be another landmark she could sketch for her game, another little source of dopamine for people playing, another marker to help them navigate. Sarah thought there was more of the tourist in Maria than she cared to admit and that she probably just wanted to see the strange castle on the river.

They crossed the Thames as the sun was going down, its towers short and squat against the skyline in comparison to the jagged thrust of the Shard which dominated the view to the west. London was a city of silhouettes in the dusk, the fading light leaving just familiar shapes, the impression of places. Rob pointed out the sights as they appeared, sometimes just a momentary glimpse between office blocks and flats, and then a broader sweep of buildings as they crossed the bridge. A jumble of shapes and styles from the past and from the future. St Paul’s. The Gherkin. The Tower of London. City Hall. Traffic was unusually light and they didn’t get stuck in their crossing. Rob had hoped that perhaps they would so Maria would have more time to admire the view but she had to absorb it in less than a minute before they plunged into Whitechapel and everything closed in around them again.

When they stopped outside their house it was dark. The streetlight hadn’t been fixed and all of the lights inside were off. Rob let them in and called for Alex. There was no reply but it was then that they heard the shouts from outside.

……

Alex hadn’t gone back to the hospital. The others knew he blamed himself for what had happened but didn’t realise how hard it had hit him. He’d said he wanted a bit of time on his own and they’d respected that. In the time they’d lived together it was something they’d gotten used to. Rob teased him for being grumpy and they knew he’d never really settled into corporate life but neither of them thought there was more to it than that. If he was honest with himself he knew that the way he felt had a name. Depression. He should have been more clinical about it, more scientific, but he found it hard to apply his usual, objective mode of thinking to his own internal emotional landscape. He knew it had been getting worse and could trace some of it to the small sets of decisions that had taken him further and further from the things that he’d thought of as making up who he was. He remembered the genuine disappointment that Prof Miller had expressed when he’d told him that he was giving it up. He hadn’t been angry and he’d even understood it – noone’s getting rich mapping the universe – but there was almost a resignation to it. A sense that another bright talent was about to be eclipsed by the need to make the rent. There had been occasional rational moments when he realised that he could just jack it all in, walk away from the office and start again. Lately those moments had come less often. The sane and reasonable voice in his head drowned out by a choir of anxiety and regret and sadness.

Seeing Maria in the hospital had shattered what was left of the fragile peace in his head. It wasn’t just the guilt, on some level he knew that it wasn’t his fault, but the stark confrontation with mortality that had shaken him. There seemed to him to be a pointlessness to it. He’d always valued order and structure, causality and consequences, and whilst he could understand the facts of her disease he couldn’t explain why it was happening anymore than he could explain his own illness.

He put on his suit, straightened his tie, and headed up to the terrace.

……

Up on the roof Alex had his back to them. There was a small wall that ran round the sides of the terrace at knee height, there as a gentle reminder if someone got too close to the edge. You could perch on it and dangle your legs over the side of the house if you didn’t mind the guttering. None of them had ever thought of it as particularly dangerous. Early on the landlord had offered to put up a taller set of railings but they thought it would obstruct the view and had told him not to bother. Alex was standing on the wall, seemingly oblivious to the shouts from people in the flats in the adjacent street telling him to get down.

“What are you doing, Alex ?” Rob spoke quietly, holding his arms out, palms down, trying to signal a sense of calm that he didn’t feel to Sarah and Maria.

“Alex, please,” said Sarah. “Just step down and let’s talk.”

Alex didn’t reply and didn’t move. It had been a cloudless day and the temperature was dropping now that the sun had gone, the air was still. Alex didn’t feel the cold through his suit. Pure wool. He vaguely remembered that fact had been important at work, they’d all been given pointers on personal presentation in the first year on the graduate scheme. A couple of the partners, knowing his background, had joked that he’d have to leave the cords and the elbow patches behind now that he was a professional. There’d been no malice in it. He hadn’t been offended. It wasn’t until later that he’d begun to reflect on his decision and wonder whether he’d got it badly wrong. It was Maria that broke the impasse.

“Where are you Alex ?” He didn’t turn but this time he did reply.

“I don’t know. I honestly don’t know.”

“Latitude. Start with that. Tell me our latitude,” nudged Maria.

“I don’t know,” said Alex. “How would I know that ?”

“We’re not so far from Greenwich. I bet it’s roughly 51 degrees north and a touch over zero degrees west. How would you know if I hadn’t told you ? You taught me this Alex.”

“A fixed reference point. You need a fixed reference point and then you can work it out.”

Across Islington the lights went out. Later it was reported as a power cut, some problem with a sudden surge on the National Grid causing fail safes to kick in and the electricity to switch off. Around them the shining rectangular frames, the windows of the surrounding flats and houses, winked out. The streetlights snapped off. Shakespeare Street went dark. As their eyes adjusted to the absence of light Maria walked across the terrace, reached up, and took Alex’s hand.

“Tell me what you see,” she said.

“You can never see much here,” he replied. “Usually just Venus and some of the brighter stars. The moon obviously, when it’s out.”

Rob and Sarah cautiously crossed the terrace and stood on Alex’s other side from Maria. Sarah took his other hand.

“I saw Mars at the planetarium,” said Maria. “It’s the last thing I remember before I fainted. Where would it be if we could see it now ?”

Alex described its position relative to Venus and slowly began to tell them what he could remember about the positions of the distant objects they could see and the ones that they couldn’t. He was a little rusty but none of them would have known if he got anything wrong. He showed them Orion’s Belt, the three stars in a line that they could usually see above them, bright enough without London being dimmed, and then he noticed that the slightly skewed rectangle of Ursa Major. It was just visible now that the glare from the ground had been subdued and, just a slight turn of the head on from that, if he followed an imagined line from its two pointer stars, then he could make out Polaris. The North Star. He described it to the others.

“So you know where you are now,” said Maria squeezing his hand.

“It’s a start,” said Alex. “I could work out latitude but you know longitude is always trickier than that.”

“Because we’re always spinning, always moving,” said Maria.

“Yes. Yes, we are. I just wanted to make it stop.”

“You can’t make it stop Alex,” she answered. “Not like this. It’ll stop for you, sure, but everything else keeps on spinning. You’ve got your fixed point up there,” she gestured at the sky,  “and maybe you just need to pick your own fixed point down here. Your own Greenwich.”

“I think I had it,” said Alex. “I think I used to have it. Maybe I just need to find my way back to it again.” He stepped down from the wall and quietly accepted Maria’s embrace. Rob and Sarah clutched at his back and the four of them stood on the roof holding him as he wept.

They stayed sat out on the terrace until the power came back on about an hour later. Sarah had made them all tea and they’d sat staring across the rooftops, hands wrapped round warm mugs, steam rising into the night air. When the lights returned the stars overhead faded but all of them swore they could still see the North Star, unwavering, the sky rotating around it.

This is the sea

Once upon a time I learned to sail. Time steals the memories of that learning and now that I can navigate the river I can’t remember those days of running aground, of fighting the slow, easy current, or even of the repeated soakings as I was tipped into the water. Nor do I remember those early journeys, all way back upstream now, through the hurried rapids, down the narrow streams of my childhood. Perhaps at the time it all seemed bigger but looking back, up and across to the mountains we made our way down, I can barely make out the path of the water; like tracing my face for the lines left by tears that dried up long ago. As the river widened and relaxed into the valley some memories stick. I do remember that initial sense of freedom, striking out from the bank alone for the first time but secure in knowing that the river was slow, shallow, and not so broad that I couldn’t swim back to something solid. The river guides. That was the teaching: trust in its easy, forgiving flow and use it to learn for the sea. The unspoken truth though was that the river is poor learning for the sea but it is all we have.

The sea looked like hope from the river as I glimpsed it occasionally back then, wide eyed, staring downstream into the future. Just as looking back changed perspective, shrinking things that had seemed vast, looking forwards played the same trick but in reverse. The sea looked contained, bound by shore and horizon; it looked manageable. Navigable. The distance flattened the ceaseless rise and fall of the tides and ironed out the distant surges and storms. It looked like a gently creased, blue grey sheet stretched out between the land and sky and I miss that idea of it. I miss the time when I headed for uncharted waters with excitement and confidence, when apprehension felt like the precursor to discovery – something new and wonderful – instead of the prelude to fear. Even when the discovery was just someone else’s map of those uncharted waters, the discovery that they weren’t uncharted at all, that someone had sailed this course before and left you their notes.

And for a while, as I stuck to the charted waters or uncovered the notes from those that had sailed before me, the sea delivered on the promises whispered in its waves. Close to the mouth of the river it was as easy to sail as the river itself had been. The boat I’d built and sailed as a child rode the benign tides close to shore just as it had coped with the nudging currents that had eventually pushed it out into open water. The coastal squalls were exhilarating rather than frightening, the rush of adrenaline feeding the strength to trim the sails or tack back into the wind. And when they abated the sea was calm for long enough, and I was strong enough, open enough, to improve the boat, to make modifications and adjustments. To face each successive squall stronger than I’d faced the last. Perhaps the sea guides too. That’s what I thought in those days skimming the surface spray hugging the shoreline. I don’t think that anymore.

I don’t remember losing track of the shore. It must have happened slowly, over years, a progressive pull from the ebb of the tides winning out over the flow. Out here the sea doesn’t look contained or manageable and the notes left by fellow sailors are fewer and further between. Is it even navigable ? Out here there’s just the sea. Vast and endless and unforgiving: it can swallow you up and leave you cold, lost and adrift. When the storms hit my boat splintered and sank. I fought them until my bones ached and my fingers blistered from straining against salt lashed ropes in the desperate struggle to stay afloat. If I’d had a solid place to stand then perhaps I’d have saved the boat but the drenched deck gave no purchase for my feet. If I’d battled a single, violent tempest then perhaps I’d have saved the boat but the bad weather resolved itself into a change in the climate, storms piled on storms. If I’d learned to rest, to trust the sails to others, to admit to the weariness of near defeat, then perhaps I’d have saved the boat but even back in the days on the river I’d always sailed alone. There was no solid place to stand, there were many storms, and there was nobody to relieve me as captain: my boat splintered and sank.

The sea’s depths seemed to offer solace, they were untouched by whatever raged above. At first there was a relief in the isolation as I dropped beneath the roiling, rolling waves, pieces of my former vessel, fractured and sinking beside me. As I lingered there longer though it became colder and a kind of numbness set in; it became harder to strike out again for the surface. There was nothing up there but storms and the relentless toss and twist of the swelling waters. Nothing there but more sorrow. There was nothing here either but it was a constant nothing. It was predictable. Navigable. I was lost but if I stayed where I was I’d never be more lost and I’d never risk the hope of clutching at a way back to shore. I’d never feel the touch of the sun on skin but I’d never have to feel the rain either.

The sea doesn’t guide, it just is. The sea doesn’t guide but perhaps those that sail it still can and still do. The notes from fellow sailors are fewer and further between out here – down here – in the sea. But some remain. Even here some remain.  I found one of those stray, rare notes and it said this: even out here it’s not truly uncharted. There’s a universal map written in the stars for those able to raise their eyes and read it. Perhaps it leads back to your shore but you can’t read that map ensconced and ensnared under water. You might see the lights, foggy and distorted, but the water refracts and changes the true positions of the fixed reference points you must follow. You must brave the surface to see the way. The only way back to the shore is to risk the storms. How do you learn to be still on the waves ? Or how do you learn to lean in to the teeth of the gale and laugh ? When does knowing you’re not in control of the boat stop being terrifying and fill your heart with exhilaration ? How do you leave notes as you chart your waters that others might find and learn from in future ? These are the questions I asked and still ask as I seek the playful exploration of the shores close to the river that I learned to navigate when I was young. I read the note and draw strength to seek the surface.

This is the sea. Terrible and terrifying and relentless. Open and hopeful and limitless. Build the best boat you can and learn to make it dance on the river but accept that when you reach the sea it can crush the strongest vessel or the skilled sailor without thought or malice. All you can do is learn to sail again. Seek out the constants in the sky, learn to sail and as you chart your course leave notes that others might follow and might know that they are not alone, adrift in their storms. The river need not be our only learning. We are each other’s guides.

Once upon a time I learned to sail. Happily ever after remains my destination, out there on the horizon, across the sea.

 

……

This is story 42 in a series of 42 to raise money and awareness for the mental health charity Mind. My fundraising page is here and all donations, however small, are really welcome: http://www.justgiving.com/42shorts

So that’s it. Took longer than anticipated but all 42 are done and, to date, I’ve raised £700 for Mind. This one’s about everything the other 41 were about but also, in spirit, was about the value in sharing stories.

It owes a huge debt to Mike Scott and The Waterboys who said in six glorious minutes and two chords what I’ve struggled to say here.

Fragments

I remember the bridge and the accident. Or, at least, I remember that I wrote that there was a bridge and that there was an accident. Something bad happened. We can agree on that. I’ve been coming here for weeks now, perhaps months, and trying to talk about it but the words just won’t come. The summer house at the end of a garden, slatted windows open in the late summer to let in the air, shuttered tight in the winter to protect the heat rising at our feet from the electric radiator. There’s a box of tissues that I’ve never reached for although there’s some part of me that thinks that I should: the absence of tears no doubt noted dutifully in the book of notes I never get to read. Am I a secret to myself ? A wasp drones angrily at the glass in the summer house door.

“Perhaps we should let it out ?” he asks.

I look up at him, at his eyes, at his eyebrows raised expectantly, at his kindness.

“Letting things out isn’t my forte,” I reply ruefully. He lets me lapse back into silence and watch the wasp, a study in impotent rage, continue to fail to break through the glass, fail to fly to the garden it can see but not reach.

I remembered the shattered shards of glass on the bridge after the accident. The lights from the ambulance refracting through the splinters, red and blue light dancing across the wet tarmac as I waited for them to tell me what had happened. Does it matter if there was really an accident or if I just wrote it ? Something bad happened. It seems easier somehow to dramatise it rather than  just lay out the bare facts because the reality was so banal, so mundane, or at least it was when I said it out loud; inside it felt like an accident. It’s not as if I don’t have the words. I am not short of the words, whether recounting the miserable, ordinary slide into depression, or describing it second hand via a series of thinly disguised metaphors. All of those stories came from the same source, the same white light scattered through the mosaic of broken glass strewn across the bridge, a myriad of separations, a spiders web of my shattered self reflected back in shattered glass. Does it matter if the bridge was real ?

“So what did you want to talk about ?” he asks, more questions.

“I’m not sure that I want to talk about any of it to be honest,” I reply. “You know I prefer to write it all down.”

“The stories ? The music essays ?”

“I’m better written down,” I persist.

“But it’s another front, isn’t it ? Another way of packaging yourself up to present to the world ? The pieces of yourself you’ll allow people to see. Carefully considered and thought through. Nothing in the moment or out of control or truly vulnerable or exposed.”

“Pieces of splintered glass,” I murmur. “I don’t know. Is it just a front ? I’m not saying those stories amount to ‘Blood On The Tracks’ but there’s all of me in there if you search. They seem as real to me as a hand shake or a late night conversation with a friend or, or I don’t know, an imagined road accident on a bridge and its post traumatic fall out.”

“So why don’t you cry ? Or get angry ? Through all that pain, through that trauma. Where does it all go ?”

“It goes on the page. Or it pulls me down, eats me up. It’s better on the page. I’m better on the page.”

“And do you think you could put yourself back together on the page ? Tell enough stories, find enough of the fragmented strands of yourself that you can stitch them back, weave a tapestry out of the threads. Work it all out on your own. Is that the point ?”

“That’s not the analogy I use. In the story – you know, the first one – it’s glass. All of those stories are just the little pieces of glass sprinkled across the scene of the crash, little reflections of a part of my whole.”

“So change the analogy. Glass doesn’t really yield. It shatters or breaks and even if you could glue it all back together you’d always see the joins, you’d never see through it as clearly again. Sure, we unravel sometimes but when you knit the frayed threads back together you can make something new; just as strong as it was before, maybe stronger if you can see where the stitches failed last time. Don’t write stories to describe the fractured pieces of glass. Weave.”

“How would I start ?”

“I don’t know. You’re the story-teller. How do stories usually start ?”

 

……

This is story 41 in a series of 42 to raise money and awareness for the mental health charity Mind. My fundraising page is here and all donations, however small, are really welcome: http://www.justgiving.com/42shorts

This is intended as a wrap back to the very first story: Beginnings. It either all gets a bit meta or it disappears up its own arse. It’s a fine line… but it’s well intentioned. One to go.

Words nobody reads

We are the words nobody reads,

The wounds you don’t notice because they don’t bleed.

We are the sentences you ignore, paragraphs you discard,

We are the hidden, the invisible, the scarred.

 

We are the words nobody reads,

Scratched and scribbled on pages, the messages you don’t heed.

We are the letters you never opened, emails you ignore,

We are the broken and damaged in search of a cure.

 

We are the words nobody reads,

The maddening march of madness our self chatter feeds.

We are the fractured fragments, the anxious and edgy lines,

We are the imperfect, something remiss between execution and design.

 

We carry our words unwritten and unread

But they shout to us within self-sabotaging minds: louder than peace.

On paper, untrapped, they lie benign and quiet,

Released.

You read.

The undertow

 

You see the wave coming,

And you brace for its embrace.

Wedge your feet into sand, toes curled round sea smoothed stone

And stand before the swell and the break.

 

You see the wave coming,

But the impact still shocks.

And you rock, numb, breathless, on heels,

Taste salt on your lips and shake your eyes clear.

 

You don’t see the undertow.

 

Not as you’re drenched in the spray and fighting for balance and finding your footing and struggling to stand and

 

You don’t see the undertow.

 

You feel the undertow pulling and

Your firm footing starts sliding grain by grain away from your feet

And stones catch your ankles as they beat an urgent retreat

And you notice the pulse of the sea and your own staccato heartbeat

And the next wave is rising and rising and rising

And standing up to the first one, that short lived victory,

Now just feels like defeat.

 

You feel the undertow calling

And it whispers to let it seduce you

To enfold you in its eternal and endless depth.

 

Siren’s don’t always give warning.

 

Pyre

It was still warm even as the time approached midnight, all the nights that summer were like that, the heat of those long days settling and cooling into the darkness but never quite fading away. We looked at each other in the dancing light from the torches velcro fixed around our heads. Jones had said it made us look like the colonial marines in Aliens. I was pretty sure they had lights that sat just behind their shoulders, attached to their back but I wasn’t a hundred percent. Sam would have known. He always knew that stuff and it pissed him off when people got it wrong. Little things that shouldn’t have mattered – didn’t matter to anyone else – but that really riled him. I remember one time Jones had persuaded all of us to wind him up by saying that we thought it was better that Greedo shot first, that Han’s code of honour would never have let him kill something else without provocation. He made us watch the original scene frame by frame on his battered old VHS copy of Star Wars (never, never A New Hope, always just Star Wars) whilst he ranted about Solo’s narrative arc from rogue to hero and how Lucas had betrayed his own mythic principals of storytelling in making the change. He didn’t speak to us again for a week and for the next month he’d pepper his conversation with “Han shot first” like it was some kind of mantra.

Maybe we should have realised. Afterwards people put it all together as if it had been obvious, like it had been staring us in our faces all the time. He sat around in his room a lot listening to Joy Division. Or lost himself for hours in video games and unreal worlds. Scribbled out rambling, scrawling diary entries – that came to light later – that spoke of feeling isolated and anxious and lonely. Wore a lot of black. But that could have been any of us and we were still here whilst he was gone. That was just being fifteen and a bit awkward, wasn’t it ? None of us liked the way Sam’s life got retro fitted to his suicide, as if everything had led, neat and tidy and processional, to the point where he felt like there was no point carrying on. It just wasn’t like that. He just wasn’t like that. Not all like that at least. We remembered lying in the park looking at the stars and listening to him run through his terrible Star Trek impressions. He could make the sound the doors made pretty well but Patrick Stewart’s baritone always eluded him until he settled on repeating “make it so” and “Mr Data” over and over again until we begged him to stop. Or the time he cleared the floor at the school disco after finally persuading the DJ to put the Stiff Little Fingers’ “Alternative Ulster” on and he’d turned the now empty space into his own personal piece of performance art, a mosh-pit of one until reluctantly we’d joined in at the end. He must have bought his own copy with him. That was Sam. All of us had slunk off embarrassed afterwards when the DJ, presumably as some sort of revenge, had teed up Rick Astley. All of us except him. He’d just laughed and pogoed harder and harder round the floor bellowing “never gonna give you up” until we dragged him away. Like I said, Sam’s death wasn’t the only thing that happened in his life.

We’d made him a character sheet. I guess it was for old time’s sake. None of us had played a paper and pen RPG for a while but it had been the thing that had brought us together in the early days. Sam had started it, albeit by accident. That first year at school he used to carry a full set of dice – three sided, six sided, eight sided, all the way up to the d20 – around with him until one of the older kids had tried to flush them down the toilet. I’d managed to salvage all of them by rolling up my sleeve and hooking my hand up and around the U bend. From then on they’d always made me play as a thief or some kind of character with a high Dexterity stat: my role as the retriever of stolen treasure was set. Jones always ended up playing a fighter. He was the smallest in the group and always had the most trouble at school, his mouth forever throwing better jabs than his fists.  He was brave though. He’d been the one that had really saved Sam’s dice as he’d pulled the perpetrator away before he could hold the flush down fully. It had cost him a couple of blows to the head and a scuffle that ended with him ripping his trousers at the seams and having to spend the rest of the day flashing Spiderman boxers every time he wasn’t sitting down. None of us ever mentioned it again and none of us ever said anything every time he picked a warrior or a berserker or a knight or some big, strong archetype to project himself into. We all did it. Maybe Jones was just a bit more honest about it. Rob was always the magic guy which I always chalked up as some kind of ironic acknowledgement that he lived the least magical, most ordinary life you could imagine. Outwardly at least. I always liked how Rob held whole worlds in his mind. He used to write poems. None of us were supposed to know but I saw them once, discarded notes stuffed under his bed. Outwardly you’d never have known but inside his mind he soared. And Sam ? Sam used to mainly run the sessions. Dungeon Master. DM. In hindsight maybe it was the only time he got to feel like he was in control but you don’t think that at the time. Back then he was just the one with the graph paper and the imagination to plunge the rest of us into an adventure.

We’d written up his character sheet as a Cleric. It was sort of a joke about his family and sort of because we liked the idea of him being a healer. A slightly dark joke I guess but it wasn’t disrespectful. Not that we’d have ever said it but all of us loved him. Boys just don’t do that stuff very well. Just don’t say that stuff. We did crap jokes and head locks and arguments about whether Star Fleet was essentially an oppressive, militaristic organisation. We had endless conversations about girls who would never speak to us and whether The Cult had sold out with “Electric” and headers and volleys because we could never find enough people to make up a proper game. All that stuff we did well but none of would ever have told him we loved him. As well as making him a Cleric we’d given him really high stats. He’d have hated it because he always hated it when someone kept re-rolling to cheat their way to some ridiculous Strength score or insisted that they wouldn’t play unless they could have an Intelligence of 18. We knew he’d have hated it but I suppose it was our way, our useless boys’ way, of telling him that we loved him. The sheet was stuck to the side of the coffin.

I didn’t remember whose idea it had been to steal the body. I knew we’d all been uneasy after his death with the way he seemed to be reclaimed by his family as someone we didn’t know. Grief does funny things to families I guess. Before it happened we never really used to think too much about why we never convened at Sam’s house or why we never saw him Sunday mornings or even really why he sometimes left stuff with us rather than taking it home. Especially anything related to fantasy or magic. Just tame stuff like his copy of Lord Of The Rings or his Predator video, it’s not like we were reading Crowley and reaching out for the dead. Rob brought round an Ouija board once but we spent the whole time tilting it to spell out the name of some girl Jones was trying to ask out. Eventually he caved in and called her with the three of us whispering and giggling like idiots in the background. Obviously she said no. Funnily enough she spoke to us after Sam died. Said she was sorry for what had happened and that she’d always liked him. Not, you know, liked him but thought he was a good guy. It was awkward but touching. At the best of times us talking to Alison Miller would have been awkward but throw our sense of loss into the mix and the best we managed were mumbled thanks and intense scrutiny of our shoes.

After his death it sort of all fell into place, things became clearer. We were all told to stay away, that the family wanted privacy. No one ever came right out and said it but we all felt that we’d been recast as somehow culpable in what had happened, that we were part of the problems that Sam had, and not the outlet that we knew we were. The friends we knew we were. It hurt when they told us to keep away from the funeral and hurt turned to anger when we heard the details of the service. It just wasn’t him or what he’d have wanted. I suppose if we’d been older then maybe we’d have realised that the service wasn’t for him anyway, it was for the people left behind. His parents were the ones that needed their god and their church and their prayers to mark Sam’s departure from the world. I don’t know. Maybe we did realise on some level but we were angry just the same. We knew exactly what Sam believed in (punk rock, Ellen Ripley, some ill defined concept of magic) and what he didn’t (God, religion, Ewoks). He was passionate on it, angry even. A few months before Sam had killed himself Jones had briefly declared that he’d found God. After we’d traded various gags (“where was he, hiding behind the sofa again ?”) we realised that he was serious, or at least as serious as a fifteen year old can be whilst trying out various bits of identity to see what fits. Sam debated and argued with him for days. It was like the Han and Greedo and who shot first thing all over again but ten times worse. Quietly me and Rob thought the group might break up because of it, that this might be the point friendships fractured and fell apart. Then, as quickly as he’d declared himself a believer, Jones declared himself an atheist again. Or agnostic. He wasn’t really sure but, either way, whatever faith he’d discovered vanished like it’d just stepped on to a Transporter on the Enterprise and Scotty had beamed it away. Or O’Brien if you preferred Next Generation like Sam.

We even knew what Sam had wanted after his death. I don’t think he’d told us because he was planning it. I get that it might look that way now, knowing what happened, but it was just one of those conversations we had. He hadn’t even started it. I think Jones was going through a Trek phase and, inevitably given his warrior fixation, had latched on to the whole Klingon idea about good and bad deaths. This was after he’d found and lost God. He’d spun out some stuff about how he hoped he’d go out fighting, like Vasquez in Aliens or Boromir in Lord Of The Rings, and so there’d be no need for a funeral because there’d be nothing left of him. That was what had sparked Sam off, it was the chance to be pedantically right about something rather than some grand plan foreshadowing his own death. In painstaking detail Sam proceeded to tell Jones that his examples were flawed because, in fact, there had been all of Boromir left at his point of death, enough indeed to have a brief chat with Aragorn and to confess to breaking the Fellowship. He’d wound up being set atop a boat and cast adrift towards the Falls of Rauros. If anything illustrates why girls like Alison Miller didn’t really talk to us until catastrophic circumstances prevailed then it was this conversation. That’s where the boat came from though. Sam and Jones had argued for a bit about whether Boromir’s boat had been set ablaze by a flaming arrow before agreeing that it hadn’t. In turn that had set Sam to talking about his own wishes.

That’s why we’re here now, carrying a stolen coffin in the dark down to the river.

“Who’s going to do it ?” hissed Rob. We looked at each other, pupils shrinking as our eyes were caught in the glare of the torches. We hadn’t really discussed it, as absurd as that sounds. There’d been so much other stuff to plan that it must have just slipped attention. None of us had really spoken as we’d dug up the coffin and then replaced the earth to cover the theft. We knew there was something terrible about what we were doing but to us it was the lesser evil than not carrying out what Sam wanted. Grief does funny things to friends too I guess. We didn’t talk because there was nothing to say and, besides, we were terrified of being caught. So we remained silent as we wheeled the coffin, wedged across the back of two bikes, down through the woods at the back of the graveyard towards the river.

“Who’s going to fire the arrow ?” Rob tried again. Jones stopped sloshing petrol across the rowing boat we’d tied up earlier in the day. Rob had sorted it out and we hadn’t asked him how just as nobody had questioned Jones on the jerry cans full of petrol or the cords of rope and nobody has asked me about the bow. That one was legit. It was mine, dusted off from under some old sheets in the garage, left there ever since the end of a brief period when I’d taken up archery. Abandoned along with a telescope, my BMX, and a set of lifting weights: no future awaited me in astronomy, trick cycling, or body building. There might not be much of any kind of future waiting for me if we didn’t do this right.

“I’ll do it,” I offered. “Tether the boat so it stays close to the bank so I can hit it though. I don’t know how these arrows will fly with the lit cloth on them. We can always throw one on if I miss and then cut it adrift. Hopefully the current will take it straight down to the sea.” There were nods of assent but I could see the doubt. None of us knew how this would go. It must only have been half a mile to the mouth of the river, if the wind dropped you could just make out the sound of waves hitting the shoreline in the distance, but we didn’t really know what would happen.

We lugged the coffin on to the boat.

All of us were to blame for what happened next. Jones blamed himself because he was holding the matches. Rob blamed himself because he was holding the rope that was keeping the boat hugged against the river bank. I blamed myself for all of it. For not seeing the signs, for not joining up the dots into the bigger picture of Sam’s sharp decline. They were there now that I looked back at them: changing the subject whenever we talked about his life at home, evasive when asked about his random bruises, that time we got caught swapping notes and wound up in detention and the look in his eyes when he was told there’d be a letter to his parents about it. They pinned it on the washed out, faded black clothes, and the escapism, and the devil’s music, and the unhealthy obsession with the occult. Fuck all that. He was a kid that liked small f fantasy and capital F Fantasy. Just a kid that liked to shut out the voices around him by listening to fast, loud songs. And, yeah, maybe to shut out the voices in his head too.   Just a kid like we all were.

Jones had tried to light a match. That’s when it started to go wrong. His hands were trembling, in the dark none of us had noticed that he’d started crying and he would never have told us. Boys just don’t do that stuff well. As he struck the match he managed to lose his grip on it and it tumbled over and over, a faint flickering light, to the floor. Everyone panicked. Jones tried to catch it, like trying to grasp a dancing firefly, throwing the box with the rest of the matches away to free up his hands. There was barely a ripple as the box hit the water and all of our other chances to make fire drowned. Rob saw the box leave Jones’ hands and he went for that, in turn relinquishing his grip on the rope holding the boat. He missed the matches and the eager tug of the river’s current pulled the boat, topped by Sam’s coffin, out away from the shore. I just stood, numbly watching the scene unfold in a kind of slow motion by the light of the twin torches strapped to my head, holding the bow and a solitary arrow.

None of us really know what happened. All I’ll say is that I saw the match go out and hit the floor and then it sparked back into life as Rob picked it up. Later on, when we talked about it, none of us ever used the word ‘magic’ but we were all thinking it. Back when we used to play D&D, if things were going badly, Sam would always find a way to even things up. Holding the game universe in balance, he called it. Not cheating exactly – there was always a pre-determined chance for something extraordinary to happen and there was always a dice roll – but something to tip the scales. As the match flared Rob held it against the damp, petrol soaked cloth skewered on the arrow that I had resting on the bow. It caught and I gripped tighter, fighting the impulse to move my hand away from the heat. The boat had drifted quickly, maybe thirty or forty feet from the shore, and I pulled back on the string, smooth as I could, arms shaking, lined up my shot and then released.

Some god we didn’t really believe in rolled a twenty sided dice somewhere and we held our breath. One last check against my Dexterity stat. Maybe it was Sam, wherever he was now, holding the game universe in balance one last time for us. The arrow arced up and out over the water, its flaming point streaking across the surface as a blurred reflection. The scales tipped. The arrow dropped soundlessly into blackness, there was no splash. Gradually flames appeared, seemingly on the surface of the water, but as they tightened their grip on the wood, burned through the petrol, we could see the silhouette of Sam’s makeshift funeral pyre stenciled between the night sky and the ink of the river.

Enough smoke blew back to the shore that all of us could later say that was what brought the tears as we watched in silence as our friend made his final journey, the boat drifting out towards the sea, a trail of embers in its wake.

 

……

This is story 38 in a series of 42 to raise money and awareness for the mental health charity Mind. My fundraising page is here and all donations, however small, are really welcome: http://www.justgiving.com/42shorts

This is the first longer one for a while. Was nice to stretch out a bit. Your mileage may vary of course. I really like the characters in this one and hope I did them justice. Perhaps I’ll return to it later and tidy up the ragged bits.

 

The Faceless

Don’t fall behind. Don’t stop.

The snow is everywhere, in piles around our feet, stinging our faces in the wind, and seeping through clothes, through skin, through bone. The cold is the only thing we are certain of now, infinite in time and place; we have no memory of not being cold and no sense that there is anywhere it does not reach. Walking in that snow, in that impenetrable cold, is the hardest thing any of us have ever done. Don’t fall behind. Don’t stop.

The rules are simple. Walk and live. Fall behind and die. They pursue. So we don’t stop. Even if our living has become mechanical, functional – left foot, right foot, left foot – it is all we have and so it is all we do. We are not sure if we still feel, soaked in frost and numb to our core, but we maintain the trudge through some unconscious autonomic impulse. The impulse to live. Don’t fall behind. Don’t stop.

The longer we walk the thicker the snow drifts and the more numb we become, the fire in our heart that kept the chill at bay dying to embers. Our steps slow until movement is almost imperceptible; the weight of snow on our boots too heavy to lift. It would be easier to stop, to lay back in the freezing embrace of the white blankets that surround us, close our eyes, and be swallowed. But there is some heat yet in the ashes. Some flicker that we once remembered as hope. Don’t fall behind. Don’t stop.

We are lost now. Our eyes blinking against driving, whirling flurries of sleet and powder, tears long frozen clinging to our cheeks. There is nothing to see beyond white oblivion: we don’t know where we are. We don’t know how we got here or how we might reach somewhere that’s not here, just that we must put one foot down in front of the other and walk. We walk not to find our way out: we walk because to stop signals defeat. They pursue. Don’t fall behind. Don’t stop.

We walk to escape. We don’t stop because they are relentless. The faceless stalk us.

The faceless do not weep for they lack eyes with which to cry. The faceless do not speak for they lack mouths with which to talk. The faceless do not hear for they lack ears with which to listen.

No tears. No voice. No sound. But they know. They know, they mourn, and they pursue. And their mourning will only know peace through their vengeance on us. Us that see and shed tears. Us that shout and laugh. Us that hear so much. So much and yet not enough.

The faceless tread soft, as silent in their coming as the over night frost, as the snow ‘neath our feet. We do not hear them; as they do not hear us. But they do not rely on such things. They know. They mourn. They pursue. And their vengeance will be without mercy.

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This is the eleventh story in my series of 42 shorts that I’m writing to raise money and awareness for Mind, the mental health charity. This one is a slightly abstract attempt to express how depression feels to me. Please share it if you liked it (or even if you didn’t…). If you’re interested in donating to a great cause then please visit my fundraising page. https://www.justgiving.com/42shorts/

O Captain ! My Captain !

In 1865 Walt Whitman wrote a poem mourning the loss of Abraham Lincoln. “O Captain ! My Captain !” sets out an extended metaphor, using its titular captain, dead on the deck of his ship, returning in victory from some battle, as an elegy for Lincoln, killed but victorious, at the close of the American Civil War. 

O Captain! My Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:

But O heart! heart! heart!

O the bleeding drops of red,

Where on the deck my Captain lies,

Fallen cold and dead.

The poem – or at the very least its title – has become closely associated with the film “Dead Poet’s Society”; it is a moniker the inspirational teacher in the film dares his students to bestow upon him, in part a throwing off of the cloying conformity of their regimented school lives as he teaches them to seek new perspectives, find expression, and think for themselves. At the climax of the film the teacher has been dismissed but has to return to the class to fetch some personal effects. A number of students, in trying to say goodbye, climb atop their desks – a perspective shifting trick he’d previously encouraged in them – and call out “O Captain ! My Captain !” in tribute. It’s a scene that always moves me but I accept that, for some, may seem overly schmaltzy.

The teacher – or the actor playing the teacher – was Robin Williams. He died this week, taking his own life at the age of 63. In the shocked aftermath there’s been something of a conflation of the roles he played and the person he was, which I guess is inevitable when there is so much of him in the public domain, and the inspirational teacher figure seems to have struck a chord. That and the irrepressible funny man: the kinetic, slightly manic, lightening fast mind that seemed to spin relentlessly with ideas. 

I’m not going to lay claim to being a huge Williams fan. I like some of his work, in particular his stand up and some of his movies – “Dead Poet’s Society”, “Good Will Hunting”, “Good Morning Vietnam”. I watched “Mork And Mindy” as a kid. Large parts of his work though passed me by – I didn’t find “Mrs Doubtfire” particularly funny and have never been in a hurry to seek out “Patch Adams”. I thought he was one of the good guys but I’d become pretty ambivalent about his films.

So, in some respects, it has surprised me that I’ve dwelt on his death, that I’ve given it much thought beyond noting it with sadness. Except, of course, that Williams suffered from depression and took his own life and if you’ve ever suffered something similar then news like this is like a flare going up from a stranded boat – some vessel grim and daring perhaps – and you feel your eyes drawn to it. I should stress at this point that I am not currently in a bout of depression nor do I have suicidal thoughts: if you’re reading this and you do then please take some time to reach out to people that can help, The Samaritans, Mind, your doctor, a friend or your family. It may not feel like it but things will get better. There’s no shame in letting people help you.

The heavy media coverage has made it difficult to tear my eyes away from that flare even if I wanted to. Some of it sensationalist, salacious, downright irresponsible but some of it at least prepared to try and open up some new dialogue about mental health. Williams doesn’t look like our imagined personification of depression. When Philip Seymour Hoffman overdosed earlier this year – also a long term mental health sufferer – there was a little commentary on the end of another life by a terrible illness. But no substantive change in the narrative: it was seemingly easy to understand his self destruction as another in a long line of tortured, genius artists. Williams, from a media and public perspective, is different. He was a clown, the life and soul of the party, the guy that starred in tender hearted kids’ films. The tragedy, of course, is that in reality they were all too similar: both torn apart by being unwell.

So with Williams’ death we’ve had plenty of the “but how can someone who brought so much joy…”, “but how can someone who had so much…”, “how can someone who was that funny…” questions. Maddening as they are it’s useful, I think, that they’re asked: perhaps this is what it takes to move perceptions. Someone could have everything in the world, could bring endless happiness to everyone, always be the funniest guy in the room, and still be depressed. It does not discriminate. It’s an illness. Sure, we call it “depression” and it’s not as straightforward as that, case to case it doesn’t neatly fit a catch-all, one size fits all categorisation but it’s as arbitrary as cancer, as arbitrary as life. Understanding and empathising with that moves us a long way.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;

Exult, O shores, and ring, O bells!

But I, with mournful tread,

Walk the deck my captain lies,

Fallen cold and dead.

There’s a long way to go: the fearful trip is not done but we have lost another captain. A more open discussion of mental health illnesses might be something positive that comes from this loss. It feels finely balanced at the moment – a mixture of some frank, illuminating stories and reporting that set out the challenges in treating mental health issues, against some lurid, tabloid rummaging through the garbage (“he was sober / wasn’t sober”, “he was bankrupt”, “his marriage was breaking up”, “he was in early stage Parkinson’s”). Some of the good has come from surprising sources – Alistair Campbell wrote an eloquent piece in The Guardian that  strongly echoes my own views – which is encouraging. The more we hear stories from people that we don’t think depression looks like the more we can appreciate that it can look like any of us.

It looks like Buzz Aldrin. Winston Churchill. Someone you know at work. Possibly as many as one in five or one in six people in the UK at some point in their life. The person you love. A lot of people you’ve never met. It sometimes looks like me. It also looked like Robin Williams and we need to keep talking about that until the ship is anchor’d safe and sound, its voyage closed and done.