Tag Archives: Teenage Fanclub

Part of you pours out of me in these lines from time to time

39. A Case Of You – Joni Mitchell

Heartbreak. Has ever a subject preoccupied so many songwriters, so many songs ? Specifically the kind of heartbreak that follows the break down of a love affair. Maybe falling in love is the only subject that’s covered even more comprehensively. So, evidently, there’s something potent, something that’s felt deeply, in the marriage and subsequent divorce of hearts and minds. This begs the question: where are those songs in this list ? Other than “December” back at number 9 this has been a heartbreak free zone. Sure, it’s not exactly been a party zone either but songs about lost love haven’t really figured. Have I been so lucky ?

Well, yes, in most senses I have. This is a different post on failings of the heart than I’d have written fifteen or twenty years ago. The perspective inevitably changes when you are fortunate enough to meet and fall in love with someone with whom you don’t subsequently fall out again. The passing of time and security of partnership lessen the memories of those previously painful partings. It’s tempting to discard the past – as much out of respect for the present as anything – but I don’t think my lasting relationship with my wife would have been possible without the prior experiences of loving and learning. There are people (a small number of people) who are inextricably a part of who I am even though our paths have now diverged; paths that ran together once, for varying lengths of time.

At those sharp points of reckoning, the places we agreed (or one or the other declared) to walk separately, there were many, many records of gut wrenching heartbreak. All About Eve’s eponymous debut album and follow up “Scarlet & Other Stories” managed the neat trick of soundtracking both the beginning and the end of my first love. I once found Teenage Fanclub’s “Mellow Doubt” so apposite following the break down of my second love that I was inspired to buy it as a gift for my ex. On reflection its opening lines it gives me pain when I think of you may have needed some explanation to avoid confusion. Wonder if she still has it ? The debut Embrace record was basically purpose built for regret and I had it on repeat for much of early 1999 as my third love disintegrated. I think I appropriated Dylan’s “Blood On The Tracks” to further rub salt into my own wounds.

Had I been writing about any of these at the time then the emotional blood on and in the tracks would have been more evident; that gruesome mixture of anger, sadness, failure, rejection, pain and guilt that stews as heartbreak. From a distance it’s easier to touch the beginnings of those relationships – the happiness, the recognition of yourself in someone else, the process of falling in love – than the end. It’s easy with hindsight but the reasons – which at the time may well have been framed in terms of blame – they ended were important as they were about working out who you are and what you need and what you can give. If there was a way of doing that without anyone getting hurt… If you could bottle that and dispense it in pharmacies they’d be queuing round the block. And that’s my only regret in each of those relationships – not that they ended but that someone got hurt in them ending. I wonder if learning that something isn’t right requires getting beyond a point at which you’re so emotionally entangled that it’s impossible to disentangle without something breaking. Usually a heart, or hearts.

The record that’s closest to this expression of lost love and that sense of reminiscence and reflection, remorse and regret, is “A Case Of You”. It’s a measure of Joni Mitchell that she nails a sketch of an entire relationship in three verses, vivid fragments from before our love got lost. We start with a rueful, knowing Mitchell reflecting on things said in better times:

Just before our love got lost

You said “I am as constant as a Northern Star”

And I said “constantly in the darkness, where’s that at ?

If you want me I’ll be in the bar…

Her shoulder shrugging retreat to the bar is exquisitely captured with a wonderfully precise image of her drawing out her old lover’s face and the outline of a map of Canada on the back of a beermat.

On the back of a cartoon coaster

In the blue TV screen light

I drew a map of Canada – oh Canada !

With your face sketched on it twice

The lover in question is reputed to be Leonard Cohen (hence Canada) but it’s the imagery, the poetry, that is so strikingly beautiful in this song. In eight lines we have a complete outline of love gone awry. For me there is pretty much nothing so flawless as the opening verse and chorus of “A Case Of You”. If the point of writing about records is to find those moments where words and music coalesce to cast light on something true then this positively dazzles. It is wonderful. There is nobody – and I mean nobody Bob – who combines poetry and melody like Mitchell.

The other verses flesh out the backstory, deftly colouring in the outline as Mitchell remembers the passion she shared with the unnamed man – her the lonely artist (I live in a box of paints) drawn to someone that seemed fearless (I’m frightened by the devil and I’m drawn to those ones that ain’t afraid). The past and the present collide as she remembers words they shared in the full throes of love and how there’s a thread that still connects them even now the relationship is over.

I remember that time you told me

You said: “love is touching souls”

Surely you touched mine ‘cause

Part of you pours out of me in these lines from time to time

This section seems key to the song to me. That recognition that those you loved are never completely lost, part of them stays with you, changes you, even as you part and carry on your separate lives. It’s at the absolute heart of the melancholic contradiction in the chorus:

You taste so bitter and so sweet

Oh I could drink a case of you darling

And I would still be on my feet

I would still be on my feet

That curious mixture of the sweetness of love and bitterness at its end: that sensation that someone that used to intoxicate you doesn’t anymore. I’ve seen alternative interpretations of this record as a straight “love song” – that the could drink a case of you should be read as “I can’t get enough of you” rather than “I can take all of you but it has no effect”. This song ain’t that. It tells you it’s not that in its first line. Mitchell has written plenty of lyrically oblique songs but not many of them are on “Blue” and this is direct and straightforward – and all the more affecting because of it.

There are a handful of records that I believe are perfect: music, lyrics, context, and performance. This is about as perfect as it gets. A perfect song about that most imperfect state of affairs, the end of love. There won’t be other heartbreak songs in the 42 but there doesn’t need to be as this one says it all.

Here is a sunrise… ain’t that enough ?

26. Ain’t That Enough ? – Teenage Fanclub

“What will you do ?”. That was the most common question and, no doubt, “what did you do ?” will be its echo when I return. I took six months out from work, six months sabbatical, and the question was always the same: what ? Sometimes people would cautiously venture into      “why ?”, wary that they were poking at something evidently personal, but it was much less common. Generally the safe question was “what ?”.

My answer was almost always the same, a vague “spend some more time with the family”, and something about getting to know my daughter’s school better. Those things were true but, six months ago, I don’t think I genuinely knew exactly what I was going to do. My answer always seemed to engender a very slight sense of disappointment in whomever had asked the question. Only very slight but just discernible. As if the answer everyone wanted to hear was something that, on the face of it, seemed more exciting: I’m going to travel the world, I’m going to base jump off the Sears Tower, I’m going to swim with wild dolphins, I’m going to write a book. And whilst those things sound great (apart from the base jumping thing, never a good look with vertigo) and I would genuinely love to do at least one of them that was never what six months out was about for me.

Some people knew I wasn’t in a great place when I decided to take the time out: this will give you some time to think they would offer gently. That wasn’t what the time became about either. Time to think has never been something I’ve been short of: it’s how I’m wired. I take Descartes to heart. I think, therefore… What had steadily crept up on me though was the old cliché about the mind being a wonderful servant but a terrible master (some more eloquent thoughts on which can be found here from David Foster Wallace via the wonderful Brain Pickings). Six months off didn’t give me a chance to think – it gave me a chance not to.

So the answer to “what…” ended up being this:

Four days a week I walked my daughter to school. Every single time it was the best twenty minutes of my day. We walk exactly the same route but she finds something new every time we walk it: a patch of snowdrops, a skip in someone’s front garden, the moon visible in the morning sky. She talks, babbling excitedly, and I listen to all the small things that are important to her – who is friends with who, why Scooby and Shaggy always have to be the bait, what she is going to play at school that day. We pretend a lot. I spend a fair amount of time being Max, her imaginary little brother, or the owner of Biscuit, an imaginary cat (obviously she is Biscuit), or someone from Star Wars. We practice spelling and she indulges my game of weaving that week’s words into the conversation seemingly by accident – “look at those flowers, what a beautiful purple…. Oh, purple – that’s one of your words, how would you spell that…. ?”. She indulges it with a roll of the eyes but indulges it nonetheless. She asks me questions that veer from the simple to the profound – what happens when people die ? why does Anakin turn to the dark side ? – and I answer as best I can. That Anakin one is pretty tricky, there’s certainly not enough in Attack Of The Clones or Revenge Of The Sith that convinces as motivation. Then we arrive at school and I watch her skip happily into the playground with scarcely a backward glance.

I cooked for my wife every week. I’m no one’s idea of a cook but every Thursday I tried to create something from scratch (my definition of scratch is quite loose). Tray baked fish is my specialty which has everything to do with the fact that it involves throwing everything into one dish and putting it in the oven. Presented rustically is what it would probably say in the review. Dolloped might appear in the same sentence. The point of my culinary misadventures wasn’t really about being any good, it was about investing time and effort and thought into the person I value above all others, the person whose empathy and support effectively gave me the gift of six months off: my wife.

I cleaned the house. I did the ironing. Went to the supermarket. Did all of the mundane, ordinary things that needed doing. I enjoyed them, enjoyed the routine, found value in the tasks in contrast to the lack of value I had been finding in my paid work. I don’t doubt that some of it was novelty, that some of it would become dull in time, but I didn’t reach that point. I actually remember thinking as I was cleaning the toilet that it felt like a better use of my time than the previous few months at work had been and if that isn’t a sign that you need some time off then I don’t know what is.

I took my daughter to swimming every week, sitting in the over heated local baths and watching her plough up and down the pool. I took her to ballet, dropping her off and then retiring to a local café with my notebook whilst she and her peers stomped around and occasionally stood in first position (presumably to distinguish what they were doing as ballet rather than just running about and randomly leaping). I chatted with the mums (and dads – but it was mostly mums) and the nannies and felt like I became part of a new community of people.

I bought a bike and started cycling. I won’t be troubling Bradley Wiggins any time soon but it did enable me to discover, on one of my meandering rides, that there’s a llama farm in the town where I live. If I’d been minded to write a diary of my sabbatical months then “Llama Farmers Of Suburbia” would have been in the running for its title. “Zen And The Art of Llama Farming” perhaps. I also took up a pilates class and discovered another new community of people. Mostly a community of middle aged ladies who routinely put me to shame in the strength and flexibility stakes. Still, not only can I now see my toes but I can also touch them without displacing something in my spine. All that stuff about exercise being good for depression ? It’s all true.

And I wrote. I didn’t write a book but I did find a way to start. I wrote 40,000 words. Some of them were quite good words and sometimes they were either preceded or succeeded by other quite good words. Rarely, a sentence would emerge that wasn’t half bad and a couple of times I think I nailed a paragraph. I discovered a lot about writing in the last six months but chiefly I discovered that the important thing – for me – to do is just to do it. Irrespective of any aspirations I might have to write a novel or make a living from writing the most important thing is to do it. Turns out it’s a part of me, an outlet for expression that is as critical for my emotional health as getting enough fruit and veg is for my physical health. Initially I grappled with writing in a public space (like this blog) given that I wanted to deal with some issues personal to me but it turns out that’s important to me too. Comments, words of encouragement, some recognition, however small, have all been hugely important to me. And deeply appreciated. If you’ve ever taken the time out to read any of this then thank you: it’s a slightly astonishing thing to me and means a great deal.

One of my stock responses when asked about my sabbatical was to say something like: “I can’t afford a Porsche and a ponytail really wouldn’t suit me so I thought I’d better have some time off instead”. A jokey acknowledgement that all of this might look a bit like a mid life crisis manifest. It didn’t answer the question as to what I was going to do nor, indeed, why I was taking the time. It was a light hearted deflection. I didn’t have a plan for the six months and, now at the end of it, I don’t regret that; I have no sense of having “wasted” time. Quite the opposite in fact. What I did and why I did it ended up having the same answer and it turned out that my vague “spend some time with the family” that I reflexively settled on before the sabbatical was right.

Experience some time might be better phrased. Experience some time, be present in those moments and not lost inside myself, and appreciate the truly important things in my life. Of course there’s been a certain amount of taking stock and a regaining of perspective as well; I’ve had time to not think but me being me there’s inevitably been some thinking. I had lost sight of what mattered to me and some time has helped bring that back to focus; my family have helped guide me home, guide me back to myself.

This morning, on the walk to school, my daughter was beside herself with happiness at the first signs of Spring, birds singing, flowers budding, and the sun in the sky. It wasn’t the first time in recent months that I’ve found the irony in life chucking me another free metaphor (watching Disney’s Frozen at the cinema and having way too much empathy with the lead character’s emotional repression and resultant disaster was my personal favourite) and I’m sure there will be ups and downs to come – there are as many winters as there are springs after all. But those moments are enough. They might be all there is. You probably all knew that anyway, I’ve been a bit slow on the uptake. Teenage Fanclub had it right all along.