Tag Archives: flash fiction

Leah

Her father didn’t understand and his English was good enough that it wasn’t the language barrier that separated them on her decision. He will come around. Her mother had tried to bridge the divide, like she always did, but perhaps she felt like this one was all her fault. Leah didn’t blame her but she didn’t want to stay either. She loved them but it wasn’t enough.

The ferry was back running after the temporary lock-down and she wanted to ride the loop around the lake one last time before she left. Ciao Lia. Andrea was running the boat today and smiled at her as she embarked, waving away her offer the fare. Gratuito. She touched her fingers to her lips by way of thanks. She’d helped out last summer, it had been a good season uninterrupted by any significant outbreak. There’d been a stretch of two months that had almost felt like the kind of summers that her father had told her about; the ones he’d been chasing after when he dragged them back from England. The town had needed the visitors. The subsidies weren’t enough.

The boat was almost empty so she slipped through the door at the stern. Pooled diesel spills on the surface caught refracted rainbows and she stared at them, lost in thought, until they abruptly disappeared in a surge of spray as Andrea gunned the throttle. She inhaled, wanting to hold that smell, rust and oil and the dirty water around the dock, in her memory. It reminded her of when they’d first arrived. An eight year old girl, bouncing in excitement, one hand on the rail, the other clutching her father’s hand as they watched the picture-perfect rows of yellow and orange houses loom larger and larger as they approached their new home. She remembered the mountains framing the town and asking if they were living in a fairytale. Am I the princess, papa? He had ruffled her hair and laughed. Sempre. Sempre. She hadn’t realised he had meant it quite so literally. She rode the ferry across to Varenna, on to Bellagio, and then back.

When she’d told him she thought that her choice of University might soften the blow. He knew Bristol, it was where him and mum had met, they’d even settled there a couple of years after she’d been born. He’d worked as chef whilst mum had juggled looking after her and studying for an accountancy qualification she never finished. They’d always wanted for him to open his own restaurant – I will show them the real Italian food – but it was tough to save in those early years. After the vote in 2016 something changed. Leah never understood why he stopped learning English, why she spent so many evenings lying on her bed listening to raised voices downstairs, or why, one day, her parents sat her down and told her they were going to move. We’re going home. She’d always thought that was an odd thing for her mum to say: she was from Clevedon.

At first it’d been everything her father had promised. He’d taken back on running the family pizzeria, making good on his boast to show off the authentic cooking of his homeland, mostly to tourists but respected enough locally to generate a steady flow of covers even in the off seasons. Leah had gotten used to everyone spelling her name Lia and had quickly picked up Italian. In some ways those first couple of years were the closest her and dad ever were, their conversations running faster and faster as she raced ahead of her mum in her understanding. She even learned to swear in Italian before English, listening to him with his brothers watching Inter on the TV, shouting words she only deciphered by sharing them in the playground to delighted laughter and then explanation. It was the sort of explanation that involved graphic mimes with fingers poked between a circle made with the other hand which, eventually, had meant that her mum had needed to explain a number of other things to her. It was also the end of her being allowed to watch I Nerazzurri. Or, at least, to watch them with her father’s commentary.

It was only after the outbreaks that things changed. The first lockdown in ’20 had hurt the community – they lost friends, the visitors stopped coming, businesses closed – but they’d all assumed it would end. That things would return to normal. The town would bear a scar, they’d always remember, but eventually they would settle back into being the bustling summer hub on the banks of the Como that they’d been before. But then the mutated strains began to appear, each time they thought they’d dampened down the embers there’d be a fresh fire. It was years before the region even settled down into what they now understood as their regular rhythms: open for business, temporary lockdown, open for business, lockdown. At least we are healthy. Her parents put a brave face on it and, somehow, the three of them never fell ill, physically at least, but the staccato patterns of their new existence took its toll on them all.

Leah had decided to leave after the lockdown in ’27. It had been strain 31 or 32, she had given up keeping track, and she’d resolved to take up a place at University in England. In the end she’d deferred for another year, thinking that the promise of helping out in the restaurant and on the boats for one more season might placate her father. It just seemed to make her eventual departure harder, as if he’d read her postponement as a cancellation and felt twice as betrayed when she followed through on her plan to go.

Back from her farewell ferry trip she packed and prepared to leave. He was out and she didn’t expect him back before she had to get the train to Milan. Mum would walk her to the station. The last thing she packed was an old photo of the three of them, taken just after they’d first arrived, down at the front with the lake shimmering behind them. Mum and dad flanked her on either side, the three of them holding hands, smiles radiating in the late summer sun. She kissed the picture and, instead of placing it in her case, she flipped it over, grabbed a pen from her old desk, and wrote on the back of it.

Perdonami, papa. Your princess. Sempre.

 

April, Cora and Aps

April moved seats so that she was as far from the door as possible. She wanted to give Cora some space; it wasn’t the first time that people had been uncomfortable around her.  She could hear voices in the hall, a soft Scottish accent lowered so that the words were inaudible. The other April speaking at a more natural volume but with a forced politeness, insisting that Cora came in and that there was nothing to be concerned about. I judge my own risk. April heard that.

April knew what Cora would be doing. Sure enough when they finally came through into the kitchen she was holding her phone, eyes moving from the screen to take in the room, and then back to the screen again. April’s arm was still exposed from where she’d shown her namesake her scars earlier but she wore her MedLet on her right wrist. She rolled up the sleeve and held up the black band, a pale green light emanating from a small face on its outer edge.

“Your phone would have lit up from the street, you know, if I was showing symptoms,” said April. She paused. “Hi, I’m April. But I think you alredy know that.”

Cora sighed and held up her hands. Still ensconced in their gloves.  “Look, I’m sorry. I just like to be careful. I know it’s not the best way to meet people.”

“I guess it’s more honest than those air kisses our parents told us about, right?” said April, smiling. “Listen, I wouldn’t ever put anyone at risk. I never skip a test. I wear my MedLet with pride. My CT is zero.” April knew that Cora would already know her contact trace number: your records showed your viral history and the number of people they thought you’d infected. If you’d had any of the strains it was very unusual to show a CT of zero. Some people liked to see their whole sequence of contacts but most stopped at the straight CT number because they didn’t want to know their CD rate: contact deaths. The official messaging was always the same: it’s not your fault as long as you followed the guidelines but it was hard not to feel culpable.

The other April had busied herself distributing the tea that they’d made just before Cora had arrived. She put two of the mugs on the table and took a sip of her own. Nobody else moved to drink theirs. There was an uncomfortable silence. April rolled her sleeves back down and muttered that she need to sort out her room, unpack. She left, circling Cora, allowing her to step further into the room so that there was always a distance between them.

The two of them left in the kitchen picked up some halting small-talk. Cora’s journey had been long but uneventful; they had both picked Bristol for science courses, April for Chemistry, Cora for Zoology; they had done similar A levels; neither of them had lived away from home before. Cora had no siblings. April did. They got on to nicknames and April let slip that her sisters had always called her ‘Aps’ for short and that maybe the house should do that, save the confusion with two of them having the same name. Cora nodded. She didn’t particularly want to be known as Cor. Only one person had ever called her that. Sensing that Cora had quietened again April – Aps – felt obliged to show that she wore a MedLet as well although she felt sure that she would have done her homework and known that she’d never been in isolation. She remembered something.

“You were never in ICU, were you?” Aps asked.

Cora lowered her gaze but Aps caught the momentary look of sadness in her eyes. “Not ICU, no, but I was in soft isolation once. Just a month. Precautionary, never had anything. Doesn’t go on your record. I don’t really like to talk about it, if that’s okay?”

“It’s not really okay, is it?” came a voice from the door. It was April.

“It’s not something I like to talk about.”

“But it’s okay to come in with all your I judge my own risk and your gloves and your suspicion? It’s okay to refuse to meet me at the door until you’ve run your checks, got the all clear from MedApp?” April saw the untouched tea on the table. “It’s okay to refuse the drink? Let me guess? You’ve got your own mug, haven’t you?”

Cora looked at the floor. “It’s not like that. I just…”

“Just want privacy the rest of us don’t get to have, is that it?” April was shaking her head. “Come on, I’ll leave it alone but at least tell me I was right about the mug.”

The air in the room seemed to have been sucked out. April was staring at Cora, Aps  had turned away, went to rinse the remnants of her tea out in the sink. Cora was slowly shaking in her chair, picking at her fingers until she suddenly peeled off the gloves and lay them on the table. She looked up at April, eyes pricked with tears but she didn’t break her gaze.

“I was in soft isolation because my boyfriend died. He picked it up. He should have been alright, he was healthy, no underlying conditions…” She punctuated each syllable of un-der-ly-ing-con-dit-ions by stabbing her finger into the table in time with her speech. “He should have been alright but he wasn’t. I was in isolation when they cremated him. Alone. He was alone. I was alone. So, now, you just leave me the fuck alone.”

April started to try to say something but Cora stopped her.

“And, yes, of course I’ve got my own fucking mug.”

 

Cora Forever

Cora liked to walk the beach in winter. She usually waited for the flag to be changed over to red and she could hear it being slapped by the wind; if it was flapping out its warning then it kept most people away. Most of the newcomers anyway. The tide was going out, waves rising, breaking and leaving behind swirling, foaming eddies as the water receded. She always felt like the sea was breathing and the change to low tide was her favourite, those deep inhalations as water pulled away from the shore. If she closed her eyes she could feel her own breath align with the tide.

They’d arranged to meet in their usual place. It was half a mile down from the town but worth the walk to miss anyone not already put off by the weather. It was still dry but the clouds over the Firth were dark and she’d lived here long enough to know that they probably had an hour before the rain came in. She quickened her step and picked her way across the low dunes, grasses snaking around her ankles, down to the harder sand near the tideline. Her phone vibrated in her back pocket. It was Rob. Two words: they’re here. Cora broke into a run.

He was standing close to the water looking through binoculars across towards the Black Isles. He turned back to look at her as she approached, grinning, and gesturing towards the sea.

“I thought you were going to miss them.” He handed her the binoculars and pointed her in the right direction, guiding her gaze by holding her from behind and leaning his head in close to hers. “Have you got them?”

Cora took a moment to adjust to the focus, the sea magnified in the lenses, the small undulations of the waves exaggerated to vast, heaving swells. The sky was becoming progressively overcast and it was difficult to pick out much detail between the blue-grey of the sea and the encroaching clouds.

“I don’t see anything,” she said, almost lowering the binoculars but she felt his grip on her arm tighten slightly, a silent encouragement to give it a little longer. And then, in a line, breaking surface, three dolphins stencilled on the horizon. She held her breath, steadied her hands, and tracked them as they leapt, skimming the waves with an ease and grace that made her want to laugh or shout or scream. “I see them,” she said. “I see them.”

When the dolphins disappeared Cora twisted round, letting Rob pull her into an embrace, resting her head on his chest. Neither of them spoke and all she could hear was an asynchronous call and response between the ebbing tide in one ear and his heartbeat in her other. Gradually his pulse quietened, slowed, and she pulled her head up and kissed him.

“Your heart beats faster for the dolphins than it does for me,” she said.

“Does not,” he said. He bent to kiss her back but she wriggled free of his arms, laughing.

“Prove it!” she shouted. “Prove it or it’s just dolphins you’ll be kissing for the rest of the winter.”

Rob made a half hearted attempt to catch her but she was too quick. He watched her bouncing on the spot on the sand, ready to spring away from him: he’d spent the last two years chasing her and didn’t think he would ever tire of it. Chasing is good but being caught is better. That was what she’d said that night at McKendrick’s party just before she’d kissed him the first time. He could still remember the taste of her that first time, cherry brandy that she’d regretted the next day. No other regrets, though. He still had that text in his phone.

He found a stick back in the dunes and broke off the end; it was sharp enough to serve as a makeshift pencil in the sand. Cora watched, bemused, as he attempted to draw the shape of a large dolphin, bending over to make incisions in the beach.

“It looks like a shark,” she called.

“Does not,” he said. Pointedly he drew a large cross over his drawing and next to it etched out CORA FOREVER in large capitals, surrounding it with a roughly sketched love heart.

“It’s a bit cheesy,” she said.

“I give up,” he said, standing up and breaking into a sudden fit of coughing. Cora ran back to him, concerned, and rubbed his back until the coughs passed. “It’s nothing,” he said, noting the worry on her face.

“You sure? I heard one of the new families that came up from London had a case, the daughter maybe. She’s isolated now. It’s not right. We had nothing here until they started to come to get away from the towns.” She looked out across the water, the wind had picked up now and was whipping the waves, white-capped, spray rising into the air.

“It’s nothing,” he said again. “I was tested last week. Next one’s in a few days.”

“Just be careful, alright?” she said. She grabbed his hand and pulled him back towards the road at the top of the beach. “Come on, weather’s coming in.” They retreated up the beach as the rain started to fall, leaving behind CORA FOREVER as the only marker that they’d been there that day. The tide turned, inexorably, inevitably, in the night, the sea bit higher up the beach and washed it away.

April and April

“How long were you in?”

We’d talked for a while before I asked her. I thought it came up naturally but as soon as I said it, as soon as I saw her eyes glance at the floor, I knew it’d been too soon. And now it was too late.

“I..,” she started.

“I’m sorry, I shouldn’t have asked. It’s not my business.”

“It’s okay,” she said. There was a pause, her eyes now scanning the ceiling, a drawing in of breath, before she looked back at me. “I thought it was in the records but I can understand why you might want to know. I was in for six months. It was the 27 strain. I don’t know if you remember but it was a bad one.”

I nodded. I felt like I wanted to reach across and touch her hand. Something to signal that I understood but that felt too soon as well. Everyone was more guarded about their personal space now.

“Well, at the start they wanted me away from people for a good two months to be sure and then I turned out to be asymptomatic so they held me longer. Hardly anyone got off without symptoms on 27 so then they kept me to run tests. Just bloods and monitoring. Regular stuff. I got some scars to show off.” She rolled up the loose sleeve of her shirt, showed me the inside of her arm. It was criss-crossed with faint scratches and one longer, angry looking red line towards the crook of her elbow. She saw my face, I must have looked shocked. “It’s cool. It never hurt. The big one was just a new nurse, they all trained up on people a little less pale than me I think. Always took them a bit of time to work up a vein when they were new.” She laughed.

“Six months. Jesus. That must have been rough.”

“It wasn’t too bad. I’m pretty good in my own company and they gave you like the fastest wi-fi you’ve ever had. You never been in an ICU?”

I shook my head. “I got lucky. Tested every week and never seemed to pick anything up. I do remember 27, there were a few in our year that went in but nobody for six months. We all kept in touch with them….”

“At the start. You kept in touch at the start, right?”

She was smiling and I didn’t feel like it was accusatory, or at least not directed at me. I nodded. “Yeah, I guess. It was easier at the start. We were just kids. I like to think I’d be a bit more considerate if it was happening now.”

“It is happening now,” she replied. “Just not to us anymore. We’re clean, right? Too old to be a high risk spread and too young to be a high risk victim. There’s kids in ICUs every day.” She paused and seemed to note my look of apology. “I’m not blaming you. I’m not in contact with anyone in a unit, it is what it is. I guess we could all do more.”

There was an awkward silence. I broke it by pushing back my chair and offering to make tea. I hovered by the kettle, waiting for it to boil, whilst we continued talking.

“How come you didn’t know I wasn’t in a unit?” I asked. We’d all had our records shared.

“I didn’t look,” she said. “It’s not important to me.”

“Because you’re immune?” I started.

“Not that. It’s just not important to me. And they don’t know about immunity. They said I was so unusual in how my system responded to 27 that they thought I might be okay against all strains but I don’t think they know.”

“I’m sorry. I shouldn’t have brought this all up. It was clumsy. I didn’t mean to pry.”

“Honestly, it’s okay.” She smiled, held out her hand as if she sensed my earlier desire to physically connect. I crossed the room as the kettle clicked, at boil, behind me and touched her. She gave my fingers a squeeze and released. “Listen, all of this is hard. No-one gave out rules for how you’re supposed to navigate this stuff. I don’t take offence and I get why you’d be curious.”

“Thank you. I thought I’d blown it on day one.”

“No way. You kidding? Us April’s have got to stick together, right?”

“Too right. About that. Isn’t this going to get confusing?”

“What? You want me to be April 27 or virus April or something?” She raised her eyebrows, tilted her head. I thought she was joking. “I’m joking,” she clarified. “Just in case you haven’t figured me out yet. My sense of humour can be a little dark.”

“Let’s just play it by ear, then. Anyway I suppose it’s not a problem for us. It’ll just be the other two that might get mixed up.”

Almost on cue the buzzer rang. We both looked up and April indicated that I should go and answer it. I looked into the intercom camera for the second time that day and saw a short, slim woman, blonde hair pulled back in a ponytail, finger still poised over the door bell. A gloved finger. Disposable, surgical gloves.

“Hey,” I said into the intercom. “You must be Cora, right?”

There was a brief moment of static. “Yes, I’m Cora. Can you let me know which April you are? I’d prefer to be let in by the one that never isolated.” A slight pause. “No offence but I just like to be careful.”

I looked across at April to see if she’d caught the exchange. She shook her head, smiling. I couldn’t tell if she found it funny or insulting. She stood up and went across to the kettle to finish up making the tea. Pulled out three mugs. Just as I pressed the button to let Cora in April spoke:

“Let her drink some first but please let me tell her that it was me that made the tea.”

April, too

I didn’t know what to expect at the time. We all just got the notice that the Uni had put us in a house share which was fine for me; I grew up with two sisters so I was used to having my space occupied. All the usual safe guarding stuff was in place, so they’d given us names, a picture, and a link to check medical records – just the relevant bits, they still redacted where something wasn’t infectious – and I’d had a quick look. I was curious but not really bothered. I’d known people that had spent time in the ICUs and it hadn’t changed how I’d been around them. I don’t know, sometimes I thought we were all over-reacting but I guess I didn’t really see the ugly side of it so I kept that to myself. There were strong views on both sides and my opinion didn’t much matter. I was more interested in the names, trying to imagine these new house mates, my mysterious new companions for the year ahead. Leah. Cora. My namesake, April. Mostly I was interested in April.

The dates on April’s ICU were in ’24 so she must have been mid teens when it happened. Pretty rough. I’d been lucky and never picked anything up in the window when you got treated as a high risk to everyone else. Ages 8 to 18 they reckoned. Like I say, I knew people that got isolated – one day they’d be in school, the next they wouldn’t. The first time it happened it was a big deal and we all made a real effort to keep connected – Paul Jacobson was the one I remembered. He was just one of the class, I didn’t really know him or his friends but overnight he became the most popular guy in the school. Those first few times, when it was a big deal, we really tried with the people put on ice – that was what we called it, isolation containment. No-one ever agreed on what the E stood for. I don’t know when we stopped trying so much but after a while it lost its novelty, was just something that happened. People got iced and until they thawed we sort of forgot about them.

The other two, Leah and Cora, didn’t have flags on their records. It showed as clean the same as mine. I was never that comfortable with the language, the inference being that, you know, if you’d isolated you were dirty, but everyone said it was just a reference to being virally clean. Just a medical thing, nothing else. There wasn’t much else to figure out about the three of them. Nobody connected up on social anymore before they met, it was one of the weird things that happened afterwards, the more people’s personal history was made public the less they wanted to share. I still had a private Insta and sometimes dipped back into Twitter but mostly to remind myself why I’d never really bothered with it: getting called out as the toxic generation in an endless echo chamber wasn’t my idea of being social. None of my pending housemates had any kind of footprint online, other than the legislated stuff. Nothing public anyway.

I moved in first. I was back from my year out travelling a little early, there was an alert in Melbourne about a possible recurrence of Covid-32 and the FO advice was to come home. It was okay. I was on the last leg of my trip and felt pretty lucky, I’d made it across most of South America and had a few good weeks in Australia before anything had happened. I knew some people the year before who’d got caught in the big 31 outbreak and got stuck in local lockdown for three months. No one our age could afford travel insurance anymore so they just ended up loading on debt before they’d even started their studying. I was back unscathed and at a loose end so had asked if I could move up to Bristol a week early, try and get a sense of the place. Mainly I just wanted to bag the best room. The house buttressed up against a row of Georgian terraces but it had obviously been built later. It started a new run of more modern houses, individually painted to mark them out as separate: ours was green, our neighbour pale blue, before the rest of the run exploded in pink and yellow. It overlooked the Downs and that alone made my decision to arrive first worthwhile as only two of the bedrooms had that outlook, the other two facing back onto an unloved stretch of concrete instead of a garden and the rear of flats in an adjoining road. I picked the front room on the top floor. It was small but it had the best view.

The day the others were due to arrive I had made an effort to clean the place up for them. Got a bottle of wine for the fridge, picked up some flowers from a shop in Clifton which I haphazardly arranged in a cheap vase someone had left in one of the cupboards, and I pushed the ancient Dyson round. I’d never seen one before. It wheezed a bit. Maybe that’s why people stopped using them, maybe they were all banged up in ICUs, maybe it wasn’t that government contract stuff. It did the job anyway, if the job was to displace dust from one location to another; I managed to make it look presentable as long as you didn’t get too close to the skirting boards. If anyone got that close to the floor they’d probably be drunk so I decided it would be okay.

When the door buzzer rang I jumped up without thinking, surprised myself how much I’d missed company in the last week, how much I was looking forward to meeting some new people. Our intercom had a camera and through the small lens I could see a mess of black hair, dark upturned eyes, lots of mascara. It was April. I buzzed her in.

 

April

April liked to be alone. Not lonely, that was different, that felt unasked for, unchosen, but alone was fine. Alone had always felt safe. She didn’t know why it felt safe and, in a way, it really shouldn’t have. When she was fourteen she contracted a viral infection and had been sent to one of the Isolation Containment Units that had been built after the big Covid-19 outbreak in 2020; she’d picked up one of the mutations that seemed to surface every couple of years. Sent away to the ICU. Or, the ‘I don’t see you’, as they quickly came to be known. She didn’t feel special, it happened to lots of kids.

When she’d applied for University they’d asked her about it. There were rules around disclosure and changes to the privacy of your medical history, all for the greater good but there was no hiding your viral record anymore. They seemed as interested in how she’d coped with six months on her own as her physical health, lots of questions about how she felt she’d integrate with the student body, how she worked with others, what the experience had taught her. What had it taught her? That she liked to be alone. Was that it? She was savvy enough not to say that, primed as she was through endless rounds of re-integration therapy to talk up the importance of social connections, the work she’d done in remaking friendships, and learning to physically be with people again. We are social creatures. She’d nodded through enough sessions with a succession of earnest counsellors to be able to regurgitate that stuff by rote. Sometimes she’d even believed it. Sometimes.

They couldn’t really turn her down in the end. Her grades were outstanding: they would have been good but six months soaked in syllabus and then, more and more, off syllabus had set off fires in her mind. She’d found it hard coming out but not for the reasons they’d anticipated: she was bored, hemmed back in by a curriculum she felt she’d outgrown. In turn that had just made her withdraw more, retreat back to her safe place to be alone with Shakespeare and Sartre, Plath and Plato, Joyce and Nitetzsche and Austen and all the other dead intellectual heavyweights she counted as friends. She’d heard them whisper round school that she was intense, up herself, aloof, distant, but it wasn’t that. She felt as insecure as the rest of them but held it all inside, looked for answers in the past from people that had thought all this before, not people stumbling around in the present trying to figure it out for the first time. That’s how she saw it then. Now, sometimes, she has doubts. Same as her doubts about the difference between being alone and being lonely.

In the ICU she’d spent long days listening to music and had latched on to a bunch of bands from the 80s that no-one else seemed to remember. The Cure and Bauhaus and Sister’s Of Mercy. Nick Cave. She’d find one band, listen to them on repeat for days, and then the algorithms did the rest, leading her on to the next like a virtual version of an older sibling she never had. It wasn’t fool proof. She listened to so much stuff from the late 80s that her recommendations started to fill up with hair metal and house music. She never understood house until later, feeling it vibrate up through her feet in a club, watching a tangled mess of aloft arms, slack jaws, saucer eyes, from the throng on the floor. It wasn’t music to be alone with. The hair metal she never understood. But it did point her to the New York Dolls and so she always chalked it up as a win.

It wasn’t that she missed it. There had been hard nights, video calling parents in tears, scrawling out angry diary entries, sinking into a withdrawal deeper than being alone, sinking into depression. It wasn’t all literature, music, and a Zen like state of self reflection. She was a kid. A lot of them were. Most of the ICUs were stacked with either kids – Aggressive Virus Spreaders – or the elderly or people with poor auto-immunity. Some of the doctors had started calling them the AVS and the AV nots. She didn’t blame them, it had sounded pretty funny to her, even locked up, but some of the older patients had complained. She’d had a fairly dark sense of humour before isolation and nothing in the experience lightened it.

April was nervous. They’d told her when they’d offered the place that they couldn’t guarantee her accommodation on her own. In fact, she’d had to avoid requesting it, just in case it appeared as a black mark against her application: not adapting post isolation, unwilling to risk placing with other students. It wasn’t that. She just liked being alone. The lack of guarantees had proven prescient.

April hesitated at the door. There was a discrete plate next to the letter box identifying the house as the property of the University of Bristol. She pressed the buzzer, turned her face towards the small, circular security camera and waited. The intercom crackled.

“Hey, you must be April. I see you. Come on in.”

 

 

 

The way young lovers do

I let you pick our first dance. Van Morrison. The Way Young Lovers Do. At the time I thought it was perfect for us, light as air, breezy passion, giddy words that rang in astonished awe at the rush of falling in love. It was terrible to dance to though. All that jazz inflected triple time signature, bass bounding around like a badly behaved puppy, untamed. My feet followed the drums, snare skittering out that three four time, whilst yours followed the melody, all straightforward until Van, spirit moving him, starts scatting and be-bopping, channeling something outside of the reach of words. We both, independently at first and then progressively in synch with each other, started to punctuate our dance in time with the horns: you punching the air, me playing air trombone. I don’t even know if there’s a trombone on it but it seemed the easiest brass instrument to mime. After a couple of minutes, when the bass runs finally defeated our hips, gamely searching for a groove to slide into, you pulled me close and kissed me. Then, laughing, we beckoned everyone else on to the floor. 

Later on you’d always talk about that dance and that song in particular – it was one of your signature anecdotes – and tell people that none of the individual elements made sense on their own but together – together – they created something perfect and pure. People usually got it. Sometimes you felt the need to underline the metaphor, either implicitly through smiling across at me or taking my hand; other times you really hammered it home – “we were those young lovers, weren’t we?”. I would return your smile. Agree in the times you were making the point more pointedly.

What you didn’t talk about, and maybe I only put it together later, was that Van never recreated that song. Or that performance, at least. It was a lightning-in-a-bottle moment in time, musicians letting fly, nailing the heady euphoria of love in three minutes flat. Nothing written down, no chords, no notation, all navigated in nods and looks and instinct and feel. A one take deal. When I listen to it now it sounds like it could just as easily fall apart at any moment as make it to the end. The song’s preserved forever as recorded but love doesn’t really work like that: you can’t sustain it based on a distantly remembered moment in time.

It’s not the most important thing but I hate that you ruined Astral Weeks for me. Ruined all of Van for me. You’d insist on playing “our” song  so often that eventually I got curious about the rest of the album and discovered something I could escape into, disappear inside its meandering, meditative musings. That all went after we split: all I could hear was you. For a while I made myself a playlist that consisted of the album without “Young Lovers…” but I couldn’t fool myself. The songs would skip from Cyprus Avenue straight to Madame George and all I’d hear was the absence of you. Van would be lost in his loves to love to love to loves to love reverie and when I should have been mesmerised, lifted out of the mundane, spinning in the ether, instead I was earthbound, thinking about your indiscretions. Your indiscretions don’t deserve polite poetry. Your fucking around. Your betrayals. Your others-that-weren’t-me. 

Loves to love to love to loves to love other people but not me. 

Riffs and variations on Abba, Dark Souls, charity shops, and bad analogies for grief

“It is not about Agnetha’s sexual awakening.”

“I didn’t say it was Agnetha…”

“Okay, then,” said Jen. “It is not about either Agnetha or Anna-Frid’s sexual awakening, no matter how much you might wish otherwise.”

“We’re just going to have to disagree,” replied Pete. “The whole song is one extended metaphor for learning about sex. All that stuff about being under a spell, finding new horizons, riding on the breeze. Spreading my wings. Spreading. C’mon, it’s not subtle.”

“Really? Learning about sex? It’s not that at all. It’s just Abba doing a 70s stoner anthem. Benny and Bjorn – probably Benny, he always looked like he liked a smoke – stayed up one night wired to the gills and wrote a song about soaring with the eagles. Maaaan. They even made the girls emphasise the ‘high’ in the chorus. You’re right that it’s not subtle but it’s about drugs, it’s not about sex.”

“You’ve got to view it in the context of their broader work,” said Pete.

“How so?”

“Name Of The Game. All that ‘I’m a bashful child, waiting to grow’ stuff. Does Your Mother Know. Possibly underage girl propositioning older man. Gimme Gimme Gimme. Frustrated, repressed desire. When I Kissed The Teacher. Do you need me to go on? They had loads of songs about young women being shepherded into womanhood with the help of an older man…”

“I don’t agree on Eagle but you’ve got a point about some of the others,” said Jen. “To be fair I don’t think you could release Does Your Mother Know now.”

“It hasn’t aged well. I know it was the 70s but…”

“Which one was your favourite?” interrupted Jen. “Agnetha or Anna-Frid?”

“Agnetha, obviously. Mostly for her voice. I barely noticed her blue eyes, blonde hair, or her perfect behind in those purple jump suits.”

“Now we’re getting to the bottom of your sexual awakening…”

“Boom and indeed tish. Very good,” acknowledged Pete. “She can’t lay claim to that though. I was too young. Maybe something stirred in my sub-conscious but it was really Jenny Agutter in American Werewolf In London that made me a man.”

“It was Simon Le Bon for me. Maybe Nick Rhodes. Maybe the thought of both of them together. Possibly on a yacht.”

“Easy tiger.”

“I was never the same after that ‘Wild Boys’ video,” said Jen.

“Georgie hated Duran Duran,” said Pete. There was a pause as there often was at mention of her name.

“Yeah, I know,” replied Jen. “After we first met it came up, I can’t really remember how but I presume we were drunk. She said she hated them but I used to put on ‘Planet Earth’ sometimes when we came home from the pub when we lived together and she knew all the words. I think it was like me pretending to hate house when she got into that.”

“I’ve still got all of her records, back from when she was DJ’ing a bit, a load of limited edition, white label, 12 inches that I don’t recognise. They’re with all her stuff. I can’t bring myself to get rid of it.”

“I think I can understand that. I don’t think she’d have wanted them to stay unplayed though. She always loved it when she could fill the floor and she wasn’t too snobby about what she played to do it, Duran Duran notwithstanding. In fact, speaking of Abba, didn’t she used to occasionally slip Mamma Mia in? Said it used to tip the night into a mess – place would go insane or everyone would go to the bar but either way it ended up in a mess,” said Jen.

“Yeah, she did. Maybe you’re right, maybe I should get rid of her records at least. She’d want someone to be making a mess with them if they could. Where’d you get shot of stuff like that though?”

“Charity shop?”

“Not much chance round here anymore, they’re hardly ever open to taking things now,” said Pete. “I think people were just dumping stuff off on them all the time. It was like middle class fly tipping: great piles of Dan Brown books, Fifty Shades Of Grey, three quarter size guitars that little Harry didn’t take to after all, Friends boxsets on VHS, twice worn tuxedos that used to fit, and stacks and stacks of CDs long since replaced by Spotify playlists.”

“I guess you could trek over to Notting Hill, see if the Record & Tape Exchange would take them?” suggested Jen.

“That would involve leaving the house and visiting a place we used to go to together. It’s been three years and I still don’t know if I’m ready for that. Every time it feels like it’s getting a little easier I trip over something and I’m right back where I started.”

“Two steps forwards and one step back?” offered Jen.

“It feels more like one step forwards and two steps back most of the time,” said Pete.

“Sorry, I guess it was the wrong expression.”

“It’s okay. There’s no way to get it right in words,” said Pete. “I think I’m going to write a book called ‘Bad Analogies For Grief’. I’ve been collecting them. The ones people offer by way of condolence, the ones you pick up in counselling, the ones you come up with yourself. There’s no proper way to express how overwhelming it is so you come at it from an angle, think you can pin it down and force it to make sense if you can put it into some sort of words… Want to hear my latest one?”. Jen didn’t fill the pause and so Pete continued. “I was pulling a glass down from a cupboard last week and it slipped, fell, and broke on the floor. Pieces everywhere. And the first thing you do after it happens is that you don’t move, because if you move you’re probably going to get cut. You freeze. And then you notice the big pieces. So you pick those up first because you know they’re going to hurt like hell if you step on them. But broken glass is hard to handle and even when you see a piece that looks like it broke clean it’ll sometimes surprise you with a sharp point and the more you pick up the more you start to notice that there are fragments everywhere, small diamond slivers scattered across the kitchen floor. And then you remember it’s the kitchen floor you both used to walk barefoot across in the morning. And you remember something stupid like making coffee and toast and taking it back upstairs to read the papers under the duvet on a Sunday morning. And then, as you’re remembering, you stand on a piece of glass you hadn’t noticed and the shock of it, the pain, makes you step again without looking and before you know where you are you’ve stepped into more and more unseen pieces. Each one a tiny broken fragment of the perfect, whole thing that you remembered. Just the smallest splinter, the tiniest memory, is enough to start it. Enough to bring you back to a halt.” It had come in a rush, Pete’s words tumbling over themselves. Neither spoke until Pete finally concluded. “That’s my latest one. My new analogy. The breaking glass one.”

“God, Pete, you know I don’t know what to say,” offered Jen apologetically. “I guess I’m supposed to say that eventually you sweep up most of the pieces?”

“Yes, you are,” said Pete. “Only grief doesn’t work like that. It’s like there’s a new glass dropping on the floor every single day. Maybe you’re supposed to say that eventually you go a day when a glass doesn’t drop. All I know is that I haven’t had one of those yet.”

“But you will.”

“But I might. That’s my best guess. Right now I think I’m getting a little better at spotting the shards even if I can’t stop the glass falling,” said Pete. “I guess I need to git gud.”

“You need to what?”

“Oh, sorry.” Pete laughed. Some of the tension on the line dissolved, eased. “It’s from Dark Souls. Video game I’ve been playing a lot instead of having to interact in the real world. It’s a really hard RPG where you die over and over again and when you get stuck and look up advice online people tell you that there’s no short cut to it, just that you have to git gud…”

“Get good?”

“Yeah. But spelled g i t and then g u d.”

“Why don’t they say ‘get good’, then?” asked Jen. “What’s with the ‘git gud’ thing? Doesn’t sound very nice either way.”

“I don’t know where it came from,” said Pete. “Gamers with too much time on their hands. The funny thing is that it doesn’t sound very nice but there’s a weird kind of community in the game. If you get really stuck you can ask other people to come into your game and help you out – online obviously, you don’t literally invite them into your house or anything.”

“There you go. That’s a ready made metaphor or analogy if I ever heard one. You need to add a chapter to your book – maybe a post script – about ‘Bad Analogies for Help With Grief’.”

“People helping? I hadn’t really thought of it that way but I guess you’re right. There have been moments, stupid as it sounds, when some random character popping up in my game and getting me past some impossible boss fight has been the highlight of my day.”

“I like the sound of this game,” said Jen. “I thought all those online things were just people trying to shoot each other and shouting abuse about getting owned.”

“I feel bad for spoiling it for you and wrecking the metaphor but people can invade your game in Dark Souls and just randomly attack you too. It’s all a bit arbitrary and chaotic.”

“Like I said. It’s a ready made metaphor. Analogies aside, Pete, are you alright?”

There was the same pause he always left before answering and then the same exchange before the line went dead.

“This is just like Dark Souls, Jen. Repeating the same thing over and over again until you’re strong enough to move on. No. I’m not alright. Not today. I need to level up. But ask me again tomorrow. What about you ?”

“No. Me neither Pete. But ask me too.”

 

All My Friends: Richard

I am here and it already feels like a mistake. I’d had other options this weekend. They were all good. Number one: Bodger’s stag in St Tropez, second marriage but new fiancée seemingly more open minded than the outgoing Mrs Bodger and so less likely to break down in tears at her own wedding at the reveal in the best man’s speech that her husband had paid to snort a line of coke laid out perfectly in the cleft of some stripper’s arse. Number two: invite to meet Jacinda’s parents down at Sandbanks, two days of making polite small talk with her old man about yields and the best shirt makers on Jermyn Street as the foreplay for two nights of teasing his daughter out of her perfectly pressed clothes and seeing if everyone would still make eye contact over breakfast after they’d heard their pride and joy squealing at me to go deeper, go harder, through their shockingly thin walls for such an expensive house. Number three: boss had invited me to join him for golf and then drinks at some private member’s club he belonged to, promised to fast track me in to both; I can’t stand the prick but I need his contacts and network.

It could just be the coke making me a bit paranoid but I’m not feeling much warmth from my former comrades. Even when I tell them what else I could have been up to this weekend. I stop short of suggesting they should be grateful that I’m here, it’s not like I was crass about it. I suppose it’s a little sobering for them to face into their relative failure in life, funny how we could all exit the same University at the same moment but on such different trajectories. Some of us were always headed upwards. It’s going to be a long night so I retreat to the bathroom to do another line. It will at least speed everything up and make Neil and Jon’s dreadful musical choices a bit more bearable. Will remind me what it was I saw in Clare all those years ago as well. She still looks at me like she’ll dance to my tune so I might as well salvage something from the night even if it’s just a nostalgia fuck.

The coke brings a clarity, a sharpness, to the scene. I can feel palpable resentment from Jon as I start talking to Clare just as I can practically see her sense of conflict between wanting to believe this time will be different and remembering all the times I let her down before. I thought perhaps the intervening years would have given her distance enough to see through my tricks but, instead, they seem to have offered up new opportunity. We haven’t been in touch and the space means that part of me is unknown to her now. I fill that space with the version of me she wants to hear, the version she’s secretly been carrying around for the last ten years, the version that regrets ever letting her go and has come to the realisation that she’s the great, lost love of my life. It’s so easy I almost don’t go through with it. I used to like it when it was a challenge getting her into bed.

Upstairs I realise I’ve misplaced my phone, I was fishing around for it to see if she was up for a few candid photos. She always drew the line at that when we first knew each other, said she couldn’t just turn up at Boots and ask for that set of prints. I couldn’t tell her that you didn’t go to Boots – there were places you sent those kind of pictures – as it would blow my cover, reveal me as the sort of person that did this a lot rather than the constructed person who had never done this sort of thing before but only wanted to now because it felt so special with you. Only you. I must have left my phone downstairs. It was too late to retrieve it. I could hear Clare undressing in the bedroom and I’d necked a couple of viagra tablets – the only downside of my cocaine habit was a literal downside downstairs but it was easy enough to coax some life back into the beast with a little additional pharmaceutical help. I went back into the bedroom, my fully saluting cock leading the way.

……

It wasn’t even Clare that found the body. She’d sat outside, early in the morning, for an hour or so until Neil had woken up on the sofa. The two of them had talked for a while, half heartedly clearing up the detritus from the night before. Joanna had joined them, then Jon, then Lizzie, and finally Jason, nursing a hangover forged in the fires of hell. The six of them had talked quietly for a while, lamenting the fact that Gina hadn’t showed, kicking around memories from a time when early morning reconstructions of the night before had been a regular occurrence. Lizzie had found Richard’s phone, distracted from making another round of tea by the urgent, vibrating buzz of a missed call and then repeated voice mail prods. Joanna had volunteered to rouse him in case the call was important. Clare shook her head, smiled wryly, told them all that she knew she was stupid, knew that she should have learned. Joanna rested her hand on Clare’s arm in reassurance and set off with the phone. All of them hit the stairs a minute later when they heard her shouting.

Later the police found the powder and the pills. Even later the coroner recorded it as misadventure. The funeral was the last time any of them saw each other again.

 

All My Friends: Gina

I liked to lean in close to the fingerboard as I played, feel the strings vibrating beneath my fingers and through the wood of the body, close enough for the metallic tang of the strings to fill my nostrils. Sometimes I would crouch so that my chin rested right down on the instrument, wrapping myself around it until it felt like a part of me, until the sounds I coaxed from it felt like the sounds I would make if my soul could speak. Tonight it wanted to speak of absence and loss, my hand working the bow to draw long, deep notes: a slow, sad melody for my memories.

I remembered a time when I hadn’t been quite so invisible to them. Jo making me pick out bass lines from whatever record she was into that week, usually something dark and doomy. More recently she’d kept sending me YouTube videos of Apocalyptica or some other group of cellists looking for space in an already crowded field, re-interpreting rock songs in classical forms. This is what you used to do for me, she’d say in her e-mails. I’m not sure picking the riff from Enter Sandman was quite the same thing but she seemed to think it was. I hated all of those groups anyway. If you have Brahms and Bach and Mozart then why would you waste your time on Metallica? I’m not a snob about it – I don’t think I am anyway – but if you’ve painted in all the colours on a palette then why would you settle for using a pencil?

They had always found me serious, I knew that. I sometimes wondered why they’d persisted, all those times badgering me to leave the library or pulling me out of a rehearsal room, dragging me out to the pub or the Union bar or a club. I suspected I was a good influence, a reminder for them to study, to work, and perhaps it helped them unwind more knowing I was out with them, that I wasn’t sat alone in the quiet, methodically trying to improve. I didn’t mind. I enjoyed it despite myself. Some of those nights I was able to shake off the nagging feeling that I had to be buried in a book or consumed in my playing. Some of those nights I had fun.

I hadn’t made it to the reunion and, even though I’d driven all the way out to them, I think I knew that I wasn’t going to really go. I’d made it as far as the cottage, arriving so early that I knew no-one else would be there. I’d sat in the car on the drive for a while, window down, listening to a starling trill, watching it occasionally dart to the ground to grub around for food before it returned to its nest, tucked into the guttering. Mentally I composed a cello counterpoint to its song, even in that moment I couldn’t quite switch off. It didn’t really work. I couldn’t reconcile the keys. The cottage looked just like its picture and I imagined the others arriving, filling it up with their presence and their stories to fill in the blanks between how we’d been then and how we were now. I wasn’t sure I had a story to tell: I was just the same now as I was then, only more so, the solemnity and sadness exaggerated. Maybe that was what they’d given me back then: a break from myself, my relentless self.

There was a kind of ragged beauty in the setting. The tumble-down, down-at-heel cottage slowly succumbing to the encroaching climbing plants and flowers, its walls alive with a buzzing, thrumming throb. I couldn’t help but hear the music in the place, the drone of insects, the whistle of birds, the whisper of leaves unsettled in the wind. It was playing a tune I wasn’t sure I would hear anymore when the others arrived; maybe they had learned to sing outside of their straightforward progressions of the past, something beyond do-re-mi, but I wasn’t convinced. Part of me wondered if it’d do me good to hear something simple but it lost out to the part of me that wanted to retreat somewhere to lay my fingers across strings, pick out a range of tones to say all the things I wanted to say but couldn’t articulate in words.

I liked to lean in close to the fingerboard as I played. I’d checked in to a local B&B, asked for the room on the top floor. If I leaned in real close I could just barely scrape the surface of the strings with the bow, so the resulting sound could scarcely be heard but I could feel it reverberate through the cello, seeping out of me and back into me. I took the sounds I’d heard in the day and what I imagined as the sounds as the old group came together again and I recomposed them into something. Took them in and let them out through all the hours and days and months of effort and practice and purpose and method. And all the contrasting hours, lost to me now and lost to me then, of nothing and of dancing and laughing and talking.

I took those sounds and played an elegy for myself.