Tag Archives: escape

Jennifer Harlow

It’ll pick up. That’s all that Cindy would say as she sent Jennifer home again, another busted shift because there weren’t enough bookings. It’ll pick up. They’d been busy, too busy really, in ’20 and ’21 when it seemed like the whole town bought a dog and competed with each other to see whose could be the best turned out. Trenton hadn’t suffered much with Covid but they’d shut down the places people could meet just the same, Frank’s Bar, the Community Room, the library, everything except church and even that was emptier than usual. Everyone seemed to decide that dogs were the answer. Jennifer thought they were just scared of having to spend any time alone confronting their reality in this town, facing in to all their little insecurities that they usually drowned out by speaking to each other. She didn’t speak much to anyone.

They shouldn’t really have been open in ’20 but they figured out a system, dogs dropped off in a small holding pen that Cindy had put up on the side of house and then they’d wait for the owner to push their horn when they were back in their car so they knew they could go out and get their pet. Cindy was on her own by that point, Randall had upped sticks on her and moved to Enders with Sandy Michaels just as she graduated. Nobody could ever prove anything but the word in town was that he must have been seeing her before she turned sixteen. People said they saw them down at Swanson Lake that summer, her in cut off denim shorts and a tiny bikini top, him in jeans, white shirt unbuttoned all the way down, holding hands, kissing, but nobody saw anything more. Randy and Sandy. That used to make Jennifer smile. Jesus, this town, man. 

Jennifer had known Sandy at school, she’d been the year above but had still been one of the girls that had made her life a misery after the hair incident. She’d been into Nirvana but thought all the conspiracy stuff about Courtney Love was crap and wanted to do something to look like her, she thought Courtney was pretty cool but mostly she thought that she didn’t take any shit from anyone and she could use a bit of that. She should have gone to Beauty Marks and talked to Stacey about it but when she was hovering around outside, deciding whether to go in, she’d seen a friend of he mom’s in there and it would all get too complicated trying to explain. So she’d done it all herself, full on peroxide treatment to banish the boring brunette and emerge as a bottle-blonde bombshell. Don’t try for more than two shades. She knew that now. As it turned out the number of shades was the least of her problems as she had some kind of reaction to the peroxide; her hair turned orange and then, a couple of days later, which she’d spent trying to style the whole thing out like she’d always wanted orange hair, it all started to fall out. The best she could salvage was a fairly dramatic buzz cut which left her the laughing stock of the school for weeks. Everyone pivoted over night from picking apart Diane Flint’s apparent Disney princess obsession to picking apart her new look. All graceless stuff about lesbians or cancer mostly. This town, man.

She didn’t regret dropping out. Mostly didn’t regret it. Courtney got expelled when she was growing up and things worked out okay for her. Why stay somewhere you don’t want to be and where nobody else wants you there? Just for a piece of paper saying you can do math and knew who George Washington was. Maybe she could have stayed, sometimes she thinks that Diane was open to being friends and maybe that would have been enough. But she was always hanging out with that Johnny guy, the older one who stayed down a year, and he seemed kinda intimidating, like he didn’t want anyone intruding, so she’d kept her distance. Besides, everyone said they were screwing and she didn’t want to get in the middle of that. Dropping out had been easy, as simple as not showing up anymore. The aftermath had been harder as her mom kicked her out and she’d spent a couple of weeks sleeping in the Community Room, hiding in the toilets until they locked up and then creeping back out to lie down on the floor until morning. Cindy had taken pity on her, maybe she just wanted company after Randy left her, but she let her stay at hers for a while, gave her some shift work grooming the dogs, and, slowly, Jennifer had put enough money down to rent a room in a pre-fab up near the 34. It was cheap because there was highway noise through the night, it wasn’t so bad except when the eighteen wheelers whipped past  and the room would shake, the loose piece of glass in one of the widows would rattle against the frame, and the screen door would swing open if she hadn’t remembered to jam it shut.  They had a steady stream of Big Rigs passing through the town. Sometimes she thought about thumbing a ride and taking off but she had nowhere to go.

It was getting harder when it should have been getting easier. In her head she’d thought that if she could keep the shifts at Cindy’s until she turned twenty one then things would open up a bit, she could take a bar job, worm her way in at Frank’s. He wasn’t getting any younger and she knew he had no family. It wasn’t much of a plan but it gave her something to hold on to, an imagined future where she owned the local bar and all those losers from school would have to pay her to drink in the only place in town to hang out. She figured she’d change the name, maybe to “Jennifer’s” or maybe to “Love’s” in a little nod to Courtney, and she’d put a proper jukebox in, get rid of all that bro-country that Frank had on all the time, put in the pool table everyone wanted but Frank said he couldn’t afford, stop watering down the beer, have open mic nights for singers and comedians. It was when she got to the open mic nights part of her fantasy that reality usually crashed in. This town, man. Nobody in Trenton’s coming out for slam poetry at Love’s on a Tuesday night. She was two years off twenty one and the dog boom was over, Cindy was barely making enough to make her mortgage, let alone enough to give up any shifts and pay someone else. It’ll pick up. Will it, Cindy, will it?

In her darker moments she wondered if her only option was to screw her way out of Trenton. There were a lot of truckers passing through, probably lonely, criss-crossing the country, no ties, no need for alibis. What would even be the going rate for something like that? There wasn’t anyone she could ask. What was it worth, half an hour of fucking? What was she worth? She’d never really been with a man before so it felt like a desperate leap. There was that time with Bobby Davids when they were both fifteen, he’d tried to take things further than she wanted to and she’d spent most of the evening moving his hands away or refusing to join in as he’d pulled himself off. An entirely different version of events went round the school the next day and she’d stayed away from boys after that, wrote them all off as assholes. Not much dissuaded her of that view before she dropped out.

One evening she’d fixed her hair up, pulled it away from her neck, and dressed in a tight, low cut top, spaghetti straps and cropped at the stomach. She’d squeezed herself into year old jeans, slightly too small for her now but they accentuated her hips, and stopped to check herself in the small mirror above the sink in her room. She practiced what she thought was a confident, sexy smile, pushed her lips into a pout, tried to look casual. Her eyes betrayed her, blinking slightly too often, unable to maintain eye contact with herself, she would look away, around the room. It was okay if she caught a glimpse of this girl in the mirror, this stranger, familiar but different, but it wasn’t okay if she stared her down, realised that she was looking back at herself. She thickened up her mascara and applied some more eye shadow, like she was building defences around the source of her betrayal, and took the edge off her lipstick, blotting her lips against a tissue, leaving the imprint of her mouth in scarlet. The suggestion of a kiss.

She’d walked into town and made her way towards the truck and car wash. Some of the freight from the 34 stopped off in town, they could get their wagon freshened up at Dirt Dawg, chat to Marv, or, more likely, go join him at Frank’s for a beer. She didn’t really know what she was going to do, thought she would just walk around for while and see what happened. Maybe they would know what to do and things would happen naturally and she could pretend that this was all just a regular night for her. Fifty bucks. That was what she’d settled on in her head. That was her worth. Fifty bucks for everything, maybe thirty bucks for hand or mouth, and she absolutely wasn’t doing anything other than those things. Fifty was a week’s rent. Twice a week, maybe she could get by doing this twice a week, maybe things would pick up a bit at Cindy’s, and that would get her through.

There was a light on in Dirt Dawg but it was closed, the main shutters to the garage were down. As she came closer the shutters screeched into life and began to rise, on the other side was Marv’s pick-up, headlights blinding her as the barrier rose higher and higher. She shielded her eyes and moved to one side.

“That you, Jennifer” came a voice from the pick-up. She blinked, squinting, eyes adjusting to the flood of light from front of the truck. Was that Diane Flint?

“Hey, yes. It’s me. Diane?” 

Someone else had walked over to stand next to her and she noticed that the driver door on the truck was open, presumably whilst someone had been opening the garage shutters. She recognised him as Johnny.

“You won’t tell anyone,” he said. Jennifer wasn’t sure if it was a question or a demand.

“Tell anyone what?”

“Johnny, she’s cool,” shouted Diane. “Let’s get going. We should put some miles on before it gets too late.”

Jennifer pieced it together. “You’re leaving town, right? You’re taking off?”

“It’s not your business whether we are,” said Johnny. “You sure she’s cool?” This was directed back at the pick-up.

Before Diane could respond Jennifer interrupted. “You don’t need to worry about me. I won’t tell no-one. I haven’t really got anyone to tell anyway. But even if I did, I wouldn’t. Go on, get going.”

Johnny nodded to her, the briefest acknowledgement, and jumped back into the pick-up. He and Diane spoke quietly, Jennifer couldn’t hear them over the sound of the engine. He was shaking his head, Diane was gesturing and doing most of the talking, both of them seemed to be getting frustrated. Jennifer broke the stalemate. “If you’re arguing about whether to ask me along then quit it and get going. Three’s a crowd and I’ve got plans in this town.” Jesus, this town, man. Diane raised her hand, a small, sad wave that she barely had time to give as Johnny gunned the accelerator and left Jennifer standing there.

She didn’t really know why she waited. There was something about the truck wash being left open, unattended, that bothered her so she sat on the kerbside, stared up at the street light, and just waited. That was where Marv found her, about an hour later, when he came back from Frank’s. It had been a quiet night, Frank was in a bad mood, so he’d only stayed for a couple before deciding he should check on how much Johnny had taken in the afternoon. He was a decent kid but Marv knew his heart wasn’t really in it. Marv’s heart wasn’t really in it these days either.

He took in the scene quietly, mentally putting it together. The shutters were open and his pick-up wasn’t there. There was a girl – and she was definitely a girl much as she’d tried to dress up like a woman – on the sidewalk. He thought he’d seen her around town. She might be the one that helped Cindy out from time to time, Cindy always said she was a good worker. He went inside and checked that nothing else was missing. It looked like Johnny had left the safe, the day’s takings still inside, he’d just taken the truck. No note. Had he just borrowed it for the night? Taken someone up to the lake, maybe? That didn’t seem right, he’d have asked if it was just that. Marv figured he’d split town. He was about to pick up the phone, call the sheriff, when he heard a voice behind him.

“Everything okay, now? I… I waited ‘cos I noticed the place had been left open and it didn’t seem right.”

Marv turned round. “You see what happened?” He didn’t expect her to tell him the truth. She didn’t.

“No, I didn’t. I was just coming in to town to… well, to have a drink, but I saw it all open like this.”

“You seem a little young to be coming to town to have a drink,” said Marv. He slowed on the word drink, raised an eyebrow. “If you want my advice then I’d stay away from drink.” Again, he was deliberate on the word. More gently he said, “You don’t want to be messing around with that.”

Jennifer suddenly felt exposed. The night air had cooled and she was aware of the chill on her uncovered arms, her shoulders, her stomach, her neck. The change in his tone, its softening, had pulled away any last remnants of forced confidence, of fake front, that she had left. Fifty bucks? Was that really what she thought she was worth? She felt tears pricking at the edges of her eyes, sensed that the mountain of mascara she’d applied before was about to dislodge in a black avalanche down her cheeks. She wanted to run away, back to her room, sit and sob listening to the sounds of the rigs rattling past, all those truckers she thought she was prepared to give herself up to disappearing into the night. She turned away.

“Come see me tomorrow if you want work,” Marv said. “I think I might have an opening. Dress for washing cars though. You know, appropriate like. It’s honest work and I got more demand than Cindy does. Place like this, dogs go out of fashion but trucks and cars? They seldom do.”

Jennifer didn’t turn around again. She didn’t really want him to see her like this anymore. It wasn’t who she was. She wasn’t completely sure she knew who she was but she knew it wasn’t this.

“Thank you,” she said, back to him. “I think I’d like that. I’ll be back in the morning. Some honest work.”

She left and Marv watched her walk back up the street before he closed the place back up for the night. He thought about calling the sheriff but decided it could wait until tomorrow; get to wherever you think you’re going, Johnny. He flicked off the lights.


I decided I had unfinished business in Trenton after my earlier story: here. I may round out a loose “Trenton Trilogy” and tell Marv’s story at some point. Anyway, Jennifer deserved more than the couple of lines she got first time out, hopefully things work out for her from here. I think I may have switched tenses towards the end but that’s the sort of thing an editor is for, right?

This is another in the series of stories for my Great Ormond Street Hospital (UK children’s hospital for my non-UK readership, yes, both of you). Donations welcome here.

Trenton, Nebraska

You were walking up the incline, one hand bridged across your forehead to shield your eyes from the setting sun. I watched you approach, idly running my fingers through the grass I was sitting on. There was a patch of earth where I’d pulled up the blades in chunks, letting them scatter on the breeze. They didn’t go far but then nothing in this place went far. You had stopped and turned back to look down and across the town; I. thought maybe you were worried that Marv had noticed that you’d clocked early and had followed you up here. It was unlikely. Any time past three and he could reliably be found at Frank’s, holding forth on the betrayal of the American heartlands, why the great state of Nebraska deserved an NFL franchise, and how folk who didn’t make it to church on Sunday had no place in his town. If you could get past the MAGA hat and the bluster he wasn’t so bad. His perspective was just a little narrow, that’s all. I was finding it a struggle to stop mine narrowing each day too.

“Do you think we’ll do it this year?”

You’d turned back from looking at the town and called up to me.

“Do what?” I humoured you. I knew what you were asking. We played this game all the time.

“Scratch two off the sign. Welcome to Trenton, population 516. Is this the year we make it 514?”

“They won’t change the sign” I smirked. “Someone will squeeze out two more to replace us before the year’s out. Nothing else to do round here. Frank’s and a fumble on Saturday, repent at church on Sunday, try and find work Monday to Friday. Besides, we won’t leave. We’re never getting out.”

You sat down next to me, frowned, and pushed a fist gently into my arm, a playful punch. “That’s what I come up here for my little ray of sunshine.”

“Hey, if you wanted sunshine then you’re in the wrong State. I believe Florida has that one all sewn up.”

We sat quietly for a while. I leant back on my elbows and let my head fall back, tried to watch the sunset, upside down, behind me but it made me feel queasy. Neither of us had ever said it but I liked to think that we came up here because if anyone was watching us from the town we’d be backlit by the setting sun, silhouetted against the horizon. Probably looked pretty cool. But neither of us had said it and I wasn’t going to go first in case you thought it was dumb. It always seemed like a fine line between what was cool and what was dumb and not many people drew that line in the same place as me. Once, couple of years ago, before we graduated, I told some of the other girls in school that I thought it’d be fun to dig out some old Disney movies, have a sleepover round someone’s house, pretend to be kids again. I don’t know, maybe I thought we could be all ironic about it but if I’m honest I think there was part of me that wanted the simplicity of evil step-moms and brave, impossibly big eyed girls again. It didn’t go well. They started posting pictures of my head super-imposed on a succession of Disney Princess bodies and posting them to Snap, Insta, whichever flavour of social was in favour that day. They were captioned. I don’t remember all of them but it was stuff like Beauty & The Beast: definitely the beast or Frozen: panties. Nothing that was going to trouble their GPA. Nothing too smart. The one of my dismembered head being held aloft instead of Simba from The Lion King was quite well executed though. Props for the photoshop talents. They left me alone after a couple of weeks when Jennifer Harlow bleached her hair blonde but did something wrong with the peroxide and it all turned bright orange before starting to fall out in clumps.

I met you later that year. You were a year ahead but flunked graduation and they held you back. I guess I’d been aware of you through school but the older kids didn’t really mix with the other years and you weren’t actually there that much. Hence, the flunking. It must have been hard for you. I felt like we were both misfits and maybe that’s why we started hanging out. I thought Jennifer might join our little tribe of the ostracised but she dropped out of school and works now at Cindy’s Grooming. There were some pretty funny looking pets for a while in Trenton but last time I saw her she said she was getting the hang of it. So it was just me and you.

I got you through graduation and you got me through the year. That ended up being the deal, tacitly understood but never stated. I worked hard enough for both of us and we spend long evenings where I’d catch you up on George Washington or irrigation systems or algebra or The Grapes Of Wrath. It wasn’t like you weren’t smart because you were; you just didn’t see the point and didn’t want to do the work. I saw the work as the only way out but maybe even then you didn’t think there was an exit and you gave up before giving it a try. I was determined to prove you wrong back then, it’s only this last six months or so that I’ve felt like the off ramp to anywhere else but here has been closed for essential maintenance with no indication of when it might be open again. I owe you though. It’s true that I got you through the exams but you had my back that whole year. Nobody messed with me because it meant messing with you and your no-fuck’s-given persona was just unpredictable enough that no-one was quite sure what you’d do and didn’t really want to find out. Someone started a rumour that you had a pistol, that they’d seen you shooting at birds over in Bush Creek. It wasn’t true but you didn’t disabuse them of the notion and gradually people fleshed out their own idea of you as some sort of troubled outlaw, firing clips at Blue Jays down by the river on weekends and spoiling for a fight in school in the week. The most troubled I saw you was on Wednesdays when we used to try and learn math. Or wait, it was actually when we first stated looking at sexual reproduction in biology and you had gotten so flustered that you’d left and said you thought you should learn this by yourself. I thought it was kinda sweet and also, to be honest, a relief.

Eventually you broke the silence. “Marv’s talking about retiring.”

“Retiring? Doesn’t he do that every day? To Frank’s?” I replied.

“No, properly retiring. Says it’s getting too much for him now and wants someone to take the business on. He’d own it. Just needs someone to run it for him.” He paused, looked at me.

“Truck and car washing? You’re not seriously considering it? What about…”

“What about what?” He cut me off. “What else have I got? I’m not getting out. I’m not smart like you, I barely graduated High School. Where would I go? This is all I know.”

“But that’s not true,” I protested. “You kept telling yourself last year that you weren’t smart, that you weren’t cut out for books and school but it wasn’t true. It isn’t true.”

“I’m not like you,” he said. He shook his head firmly as if to emphasise the point, as if that was the end of it. I wasn’t prepared to leave it alone, to leave him alone. We’d been having the same conversation for the last two years, planning where we’d go, what we might do, how we’d leave all this small town small mindedness and find somewhere we felt at home. I thought I was the one having doubts recently but had always been encouraged by his enthusiasm, his talk of scraping enough together to catch the Greyhound to Denver, find some work, keep heading West over to California. He knew I had my heart set on San Francisco, an idealised romantic setting down of roots somewhere made up of misfits, the original home of the dreamers. Somewhere in my head I knew I wouldn’t be writing spoken word poetry in a loft apartment, sunlight streaming through the skylights in the eaves; it’d be spot work at Starbucks and a waitressing gig at night but, maybe, just maybe, I could carve out the other stuff too. I just wasn’t sure I was brave enough to do it without him and the realisation of that hit me as he told me about his new future.

“Why are you so scared to live?” I whispered it but it was loud enough for him to hear. His face flushed briefly with anger.

“I’m not scared of anything,” he said, voice rising. “You think I’m too good for this town, that it? Too good for some honest work running a business. Too good for a beer on Friday with the boys? I ain’t too good for any of that. Maybe you think you are.”

I was angry now. We hadn’t really had a cross word since we’d known each other, united in our deal at school, united in our plots and plans since we’d left. “Maybe I am too good for that. Maybe I give myself a bit of credit and don’t want to wind up either washed up at Frank’s, picking at labels on beer bottles and drinking away my regrets, or knocked up by some local who once had the run of the town ‘cos he was captain of the hockey team but now binge watches Fox and complains about liberals ruining America.”

“A local like me?” he said.

I stopped, held his gaze. “You were really terrible at hockey,” I said finally.

He smiled. “I really was. You got me.”

“And you don’t think liberals are ruining America.”

“No, I think America is managing that pretty well on its own.”

“So, don’t stay. Don’t settle for this. I do think you’re too good for it. Or, maybe a better way of putting it, is that I think it’s bad for you. There’s someone you could be that you won’t become here.”

“I’m not like you,” he said again. “That person you think I could be isn’t like you.”

“I don’t want you to be that,” I said. “I want you to be you, the widescreen, all possibilities version of you that will get narrowed and reduced if you stay here….” I trailed off, considering whether to reveal more of myself. It was another one of those moments where I couldn’t decide if what I wanted to say was kinda cool or kinda dumb. Maybe I needed to stop thinking they were mutually exclusive or maybe I just needed to stop second guessing myself all the time. “I can’t do it without you,” I said eventually. “I’m the one that’s scared. I’m the one that’s scared to live.”

The sun had set behind us and the dark was drawing in, lights winking on down in the town in front of us. You could see how contained, how small Trenton was at night, a neat rectangle of lights marking its boundaries and then darkness save for the strip of illumination, East to West, where Highway 34 sliced through the countryside. You rummaged in your pocket and pulled out a set of keys on a fob from Dirt Dawg Car & Truck Wash. You held them up between us. “Reckon we’ve got twelve solid hours before Marv notices it’s gone. Maybe more if he has a big night at Frank’s tonight.”

“What are you saying?” I asked. It was quiet now, just a distant thrum from the Highway in the distance.

“I’m saying that we leave now, tonight. Leave it all behind. Run to California, ditch the pick-up, hope that by the time they find it that they don’t find us. It ain’t strictly theft if the owner gave you the keys, is it?”

“I guess not,” I said. “At the very least it’s ambiguous.”

“Come on then,” he said, standing up. He reached out his hand, smiling. “You scared?”

I matched his smile, took his hand and let him pull me up beside him. “I’m terrified but that’s living, right?”


At time of writing, July ’23, I am trying to deliver 26,000 words as part of a fundraiser for British children’s hospital, Great Ormond Street. Link for donations: here

Not sure where this one came from but have been main-lining the brilliant Ethel Cain record so perhaps it was partially inspired by her “A House In Nebraska” song. Her record is much better than my story so don’t let the above put you off.

Keep the rest of my life away

24. Fantastic Place – Marillion

Marillion are probably the least “cool” band in the UK. Certainly the least covered in the mainstream music press these days considering the size of their fan base. I suspect they don’t care and more power to them for that. They were a big, big band for me as a teenager, presumably hooked in by “Kayleigh” in ’87 (some fine hair in that video) and then going backwards into the first two albums, “Script For A Jester’s Tear” and “Fugazi”. I don’t actually remember my route in but it must have been via the singles from “Misplaced Childhood” – they were probably the archetypal “handed down from older brother” kind of band but I didn’t have an older brother. I do vaguely recall liking a girl called Hayley at around the same time and I’m trying hard to suppress a memory of changing the chorus to “Kayleigh”* to fit my unreciprocated love. Sadly, a recurring theme of my teenage years. The lack of reciprocation, not the changing of lyrics to the chart hits of the day…

To fully immerse myself in this post I decided to listen to all of their studio albums, in order, up to and including “Marbles”, from which “Fantastic Place” is taken. That’s 13 records. It took me a couple of days and I did cheat a bit on day 2 when I had to listen to something else just to break things up. What struck me was the disconnect in my head between the two versions of Marillion – with Fish, with Steve Hogarth – and the reality. Fish era Marillion was the one that I grew up with and I was still a fan during the transition as Hogarth became the vocalist – in fact, the only line up I’ve seen live was with Hogarth round about “Season’s End” and “Holidays In Eden”. I still think of the band’s output as split roughly equally between the two singers but in actuality Marillion has long ceased to be Fish’s band. Albums with Fish: four. Albums without Fish: thirteen (counting the “Less Is More” acoustic re-workings album).

I lost track of the band just after “Holidays In Eden”, the second post Fish record. Listening back to it now it has its moments but it’s a little polite, particularly for my tastes back in 1991 when I was in thrall to fuzzed guitars and singing wasn’t singing unless it was a cathartic scream for understanding. Ironically the follow up, “Brave” is a fine record – a concept album about a girl found wandering on the Severn Bridge, unaware of who she is or how she got there – and I should have given it more of a chance back in ’94 when it came out.

There’s then a run of five albums between ’95 and ’01 which I’d never heard. This run also marks the point at which the band moved away from a traditional record label model for recording and distributing their music towards an ahead-of-its-time version of fan funding. I don’t know if they did it first but Marillion were certainly doing Kickstarter before anyone had even heard of Kickstarter. There’s an interesting Tedx talk from Mark Kelly (the band’s keyboardist) on crowdfunding on the band site: here.

Hearing these records for the first time, in sequence, was an enjoyable experience. A few songs popped out straight away as warranting further attention and “This Strange Engine”, in particular, as a complete album is one that I will go back to. Marillion don’t tend to write immediate songs though so repeated listens often repay; it’s music to sit and soak in rather than stuff to stick on in the background while you’re doing something else.

Those five take us up to “Marbles”. About three years ago I had noticed that a friend (who had been a fellow Marillion fan at school) had been listening to a couple of their songs that were unfamiliar to me – via last.fm, the marvelous music-meets-stats website (my profile is here). This piqued my curiousity and I found the songs on a streaming site. One of them would have been “Neverland” which I immediately fell in love with and subsequently ordered the album direct from Marillion.com. Who says streaming services don’t work ? Artist royalties is perhaps a debate for another time…

“Marbles” is a wonderful record. Built loosely around recurring themes of madness, escape and the loss of childhood innocence it showcases the band at its best – I think it’s their career highpoint (although “Clutching At Straws” from the Fish era is also a brilliant record). Those recurring themes, eagle eyed regular readers of this blog will have observed, are like cat nip for me but they wouldn’t be enough on their own for the record to resonate. Sometimes, for me, like quite a lot of what you might term prog, Marillion can lose the balance between a song and something that extends for its own sake. Sometimes the sounds don’t seem to be going anywhere. That never happens on “Marbles”. Never happens on the 13 minute opener “The Invisible Man”, never happens on 12 minute closer “Neverland”. And even never happens during the 17 minutes and 57 seconds of “Ocean Cloud”. Everything here, every note on this record, is perfectly judged, immaculately played, and serves each song. There’s nothing extraneous which is no mean feat given the length of the album.

There are four or five tracks on the record that I really love, particularly the stellar closer “Neverland” (well worth your time, linked on the Neverland reference above) but “Fantastic Place” is the one I have taken refuge in more times than I care to remember. Sunk into it and let it spirit me away. A song about escape that I use to escape.

As is becoming a recurring theme in this list my relationship with the song doesn’t rest on a literal read of the lyrics although there are themes here which resonate, notably about opening yourself up to somebody (say you understand me and I will leave myself completely; I’ll tell you all I never told you, the boy I never showed you) and the idea of release from everyday life (take me to the island, show me what might be real life; put your arms around my soul and take it dancing). This song, for me, is all about how it builds. It’s similar in some ways to where we started, way back with Warren Zevon and “Desperados Under The Eaves” – a self contained journey from disillusionment to the potential of something better.

“Fantastic Place” is a slow burner, from the muted, subdued opening – Hogarth almost murmuring the verse – through choruses that progressively grow in scope musically; it swells like a wave building until finally breaking into the bridge. That section as the bridge lyrics run over into the guitar solo (say you understand me and I will leave myself completely, forgive me if I stare but I can see the island behind your tired, troubled eyes) is breathtaking. It’s not rare for a song to make the hair on the back of my neck stand up but it is rare for the same song to do it, in the same place in the song, every single time I hear it.

Then we’re into Rothery’s gorgeous solo (his playing throughout “Marbles” is exquisite) before the song just continues to soar through to its close. Hogarth’s vocals on this track are also worthy of special mention, particularly in the very final section where he pulls off a performance that’s technically spot on (in so far as these ears can tell such things) but that wrenches something genuine out of his guts. I deliberately posted a live version at the top of this as it’s worth watching Hogarth perform it and his reaction to the song as it finishes – he is utterly lost in it and it’s a touching moment seeing him almost return to the room, back from wherever the song has taken him.

There is a magic in this song, a transformative, transportative magic. Strong enough to make up the word transportative and strong enough to carry me away when I need to be carried away.

* Given that Fish allegedly wrote “Kayleigh” about an ex girlfriend called “Kay Leigh” I think I’m in good company. She’ll never guess, Fish.